A Quote by Hari Nef
I admire actresses who are willing to jettison the easy route toward exposure and commercial success as an actor in favor or a slow burn, choosing projects carefully, and building an artistic practice over time that feels specific to who they are as artists.
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When people see success, particularly investors, they are much more willing to invest in artistic projects.
Commercial films give you a wide exposure. For 'Dilwale,' I got calls from countries like Oman. Its reach is huge. Similarly, doing independent projects satisfy the actor in you.
Success: The successful person is willing to do what the unsuccessful person is not willing to do. Draw a profile of success in whatever you are choosing to improve. If you are willing to do what that profile demands, then you have a credible demand of success. If you are not willing to do that then it just will not be there for you. You can't have the one without the other.
When I was younger, I didn’t know that I should just listen to my own voice, my own artistic sense of things when I was choosing projects, because one of the biggest creative decisions that an actor can make in the film business is what you will work on.
It's such a luxury as an actor to think of your career as something you're choosing for yourself, because so much of the time as an actor you're just hoping that exciting projects come your way.
Slow down and make building relationships as important as building projects.
If you analyze my career graph, you will see that I'm slow at choosing projects.
Making playlists can kill a whole afternoon for me. I like building very specific playlists for new writing projects. In a strange way, choosing certain songs is part of the process of plotting the book out. I pick songs that I think with resonate with characters, their personality quirks, relationship dynamics, action scenes, and so on.
I admire actors that consistently challenge themselves and play a wide range of different roles. Every actor has a reason for being an actor... it's boring to play the same person over and over again. People like Daniel Day Lewis, who completely transform time and time again, I look up to.
I believe Picasso's success is just one small part of the broader modern phenomenon of artists themselves rejecting serious art- perhaps partly because serious art takes so much time and energy and talent to produce-in favor of what I call `impulse art': art work that is quick and easy, at least by comparison.
I hope to continue building my acting career and work more on projects that fulfill my artistic thirst.
There are two kinds of success. One is musical or artistic and the other is commercial.
If you are living a life that feels right to you, if you're willing to take creative chances or a creative path that feels like it's mostly in keeping with your sensibilities, you know, aesthetic and artistic, then that's what matters.
I've never chosen the easy route to world titles or the easy route in fights, and I came up short against Stevenson.
Deep practice feels a bit like exploring a dark and unfamiliar room. You start slowly, you bump into furniture, stop, think, and start again. Slowly, and a little painfully, you explore the space over and over, attending to errors, extending your reach into the room a bit farther each time, building a mental map until you can move through it quickly and intuitively.
Success isn't winning every time. A lot of different factors go into every race, and you can't control all of them. Success means doing as excellent a job as you can on that particular day. The people I admire most aren't necessarily the most wonderful athletes. I admire the ones who keep coming back and doing it, time after time.
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