A Quote by Harlan Coben
That’s the problem with falling in love. It makes you start talking like a bad country song
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We have to look at it country by country. In places like the developing world where, as you say, in Mumbai, it's about five hours' gap between what a woman does and a man does. You have to start by recognizing the problem and talking about it, trying to change those roles.
I have spent my life falling. Not the kind that Tiny's talking about. He's talking about love. I'm talking about life. In my kind of falling, there's no landing. There's only hitting the ground. Hard. Dead, or wanting to be dead. So the whole time you're falling, it's the worst feeling in the world. Because you feel you have no control over it. Because you know how it ends.
...he makes me feel out of control and out of my head. He is exhilarating and terrifying. I see and feel him everywhere, and I'm always grasping for equilibrium even when he's not there... I feel like I'm always falling in love, falling and falling and falling.
When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.
I always know when a song is good or close to finished. When I sing it, it makes me feel the emotion. My tears will start flowing or I'll start laughing. I'll start feeling whatever intensity or emotion was the seed of that song.
The problem with falling in love is falling back out of it again, usually because you've fallen in love with a lie. That happens as often as not.
People don't really talk about falling in love anymore. And yet falling in love is the great engine that drives all the best art - or falling out of love or being heartbroken - drives all the best books, drives all the best music, and yet we've sort of stopped talking about it.
If you told me to write a love song tonight, I'd have a lot of trouble. But if you tell me to write a love song about a girl with a red dress who goes into a bar and is on her fifth martini and is falling off her chair, that's a lot easier, and it makes me free to say anything I want.
I didn’t fall in love with James. Falling sounds like an accident. Falling hurts. I’d fallen in love with Michael, fallen hard like slipping off a cliff and hitting the rocks below. Falling in love was something I’d vowed never to do again. I chose to love James.
There's just a lot of people that hold on to what country means to them. I love fiddle, I love steel, but I don't think it should be a rule that it has to be used in every song. I think that's not what defines or makes country music.
I am not keen on the idea of an oversharer. I don't like that as a problem. I have more of a problem with an undershare. If I'm talking to somebody and I ask them how their love life is and they say "fine," that's a problem for me. I want to know things about people, I feel like we're all here on this planet, and intimacy is important.
It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
Falling in love makes the unknown known. Falling out of love reverses the process.
Falling in love is when the presence of this person makes you release all kinds of substances in your brain, serotonins and endorphins. The moment you break up with that same person, you feel like a junkie who is not getting the drug anymore. Many times I've heard people say, "I'm in love with falling in love". You get all the best and all the worst in the same place.
I don't really think there's a genre that we couldn't do, but it wouldn't sound like that genre, if that makes sense. I think we could take any song, but it would sound like us. If you're doing a country song, it could maybe sound a little bit country, but it's going to sound like Pentatonix.
There's this cliché of always falling in love with the latest song, and I'm kind of like that.
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