A Quote by Harlan Coben

A trial is two narratives competing for your attention. — © Harlan Coben
A trial is two narratives competing for your attention.
There has been a failure to grasp how competing narratives fight for the attention of angry young Muslims, and we have grossly underestimated the appeal of the jihadist brand.
I can't spend the rest of my life competing for your attention and coming in last.
There are two ways of getting out of a trial. One is simply to try to get rid of the trial, and be thankful when it is over. The other is to recognize the trial as a challenge from God to claim a larger blessing than we have ever had, and to hail it with delight as an opportunity of obtaining a larger measure of divine grace.
Are you such a dreamer To put the world to rights? I'll stay home forever Where two and two always makes a five I'll lay down the tracks Sandbag and hide January has April's showers And two and two always makes a five It's the devil's way now There is no way out You can SCREAM and you can shout It is too late now Because... You have not been Payin' attention! Payin' attention! Payin' attention! Payin' attention! You have not been paying attention!
1 of the hardest parts about being a founder, is that there are a 100 important things competing for your attention each day.
We live in a world of competing narratives. In the end, we have to decide for ourselves which is right. And having made that decision, we then need to inhabit the story we trust.
The second trial was a fair trial. I do not call it a second trial. I call it a fair trial, as opposed to the first trial, which was an unfair trial, a Roman holiday.
The deepest bonds of unity are forged through the trial of competing ideals that have compatible values.
When we look at what's going on in the world and we see the immense level of conflict that seems to always be happening - you can always trace it back to competing narratives.
The conscious mind can only pay attention to about four things at once. If you've got these nagging voices in your head telling you to remember to pick up the laundry and call so-and-so, they're competing in your brain for neural resources with the stuff you're actually trying to do, like getting your work done.
It is however, difficult to make your narratives relative by yourself. A novelists' work is to provide models to make your narratives relative. If you read my novels then you may feel, "I have the same experience as this narrative", or "I have the same idea as this novel". It means that your narrative and mine sympathize, concord and resonate together.
Generally, I start by observing the existing and popular narratives in my social spheres and media, and the pressures I face in my own life experiences. As someone who is "newly" trans, I am constantly thinking about what the dominant narratives are around transness, how my work can push against these narratives, and how it already falls into these traps.
A history of perceived humiliation, after all, lurks behind many acts of terror. And competing narratives of victimhood and insults sustain conflicts in the Balkans, the Caucasus, the Middle East and many other regions.
Adults need more complex narratives. They have their own narratives. The main characters are themselves.
I'm often associated with parallel narratives or dual narratives. The 'Devil in the White City' was a fluke.
How competitive am I? A healthy amount. I have four siblings. It was competitive just eating dinner, like, "Everyone, get what you want from the chicken." Plus competing for your parents' attention.
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