A Quote by Harlan Coben

The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves.
The suburb in the 1950s was a bedroom community. The father worked in the city, and the mother stayed home. Now people live and work in the suburbs, and businesses have grown up or moved from cities to certain pockets of what was once the suburbs and created these places that are like cities.
[Cities] are not like suburbs, only denser. They differ from towns and suburbs in basic ways, and one of these is that cities are, by definition, full of strangers.
I'm a black male, over 40, with no kids, living in the suburbs - they wanted to put me in a museum. Why did I move to the suburbs? I started watching Desperate Housewives. If comedy didn't work out I can always try gardening.
When we deal with cities we are dealing with life at its most complex and intense. Planners are guided by principles derived from the behaviour and appearance of suburbs, tuberculosis sanatoria, fairs and imaginary dream cities - from anything but cities themselves.
Growing up, I imagined I would come to New York, get married, move to the suburbs and have kids. It just didn't happen that way.
I grew up in the suburbs, sometimes country-like suburbs because we moved around, but mostly suburbs.
I grew up in the Seattle suburbs - the suburbs of suburbs. Where I'm from, it's super quiet, just woods and nothing.
I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.
For the most part, French cities are much better preserved and looked after than British cities, because the bourgeoisie, the people who run the cities, have always lived centrally, which has only recently begun to happen in big cities in England. Traditionally in England, people who had any money would live out in the suburbs. Now, increasingly, people with money live in the cities, but this has changed only in the last 20 or so years.
In the post-war United States, you had this race to the suburbs. Cities shrank, the suburbs got bigger - and the notion of community changed drastically. You went from all being very close together to all being spaced apart and slightly suspicious of one another.
The New Romantic scene was so tiny. Although it got lots of mileage in the media, it was a really small club with only a core group of people. As it got more popular, kids started to come from the suburbs all dressed up, but it -really wasn't as big as it looked.
I grew up in the D.C. suburbs, and what I like about that place is that there's not a strong regional affect in the cultural imagination like there is in Dallas or San Francisco or New York City. You have a little more freedom as a novelist this way. The suburbs become a generic idea, and the place doesn't intrude into the narrative.
In the U.S. or in the West, mobility means owning your own car. Cities are designed around spread-out suburbs, societal customs are that kids get a car after a certain age, and car ownership is very high.
The suburbs are the American dream, right? Living in a nice house, having a good job, a happy family.
I'd seen so many people become stagnant in New Jersey - I had this fear I'd just stay there. They'd come out of high school, get a job, get married, have kids and die in Jersey. I wanted more.
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