A Quote by Harlan Coben
I am very lucky that I get to tell stories for a living. I love being able to grab people's attention, to keep them turning the pages, to make them stay awake all night. I want to stir the pulse, yes, but also to stir the heart. I hope 'The Woods' does that.
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I am very lucky that I get to tell stories for a living. I love being able to grab people's attention, to keep them turning the pages, to make them stay awake all night.
Suspense is my thing. I think I am able to make people want to keep turning pages. They want to know what happens.
Suspense is my thing. I think I am able to make people want to keep turning pages. They want to know what happens. So I can do that.
Independent films are very hard to get made, but I'm lucky enough to get them made, so I'm going to keep doing it. I like my independence. I like being able to tell a story the way I want to tell a story. I don't like developing it with a team. I like coming to a story and deciding whether I want to do it or not.
Don't listen to people who tell you that very few people get published and you won't be one of them. Don't listen to your friend who says you are better that Tolkien and don't have to try any more. Keep writing, keep faith in the idea that you have unique stories to tell, and tell them.
I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
We're always contradicting ourselves. We want people to tell us apart.... ...yet we don't want them to be able to. We want people to get to know us... ...but we also want them to keep their distance. We've always longed for someone to accept us... But we never believed there'd be anyone who would accept our twisted ways. That's why we'll stay locked up tight... ...in our own little private world... ...and throw away the key, so that no one can ever hurt us.
Yes, as a people we are spoiled. We look for dinners that take two minutes to cook in our microwave instead of five, and we audibly sigh if the directions on the box require us to stir at the halfway point. Aw, I gotta stir? See what else is in the freezer.
I love different sorts of people, their stories, all the different facets, that make them, them. This is entwined with how I am compelled to tell many of these stories and have ended up being a broadcaster after originally going to drama school and working in fashion for a bit.
THE STORIES WE TELL fearlessly explores the textures of the human heart, finding a path toward hope through a Savannah that is jagged with class issues, faith misused, and broken trust. Henry loses you in a landscape peopled with secret keepers, storytellers and liars, and proves that in the end, love is the only reliable compass. This is everything you expect from Patti Callahan Henry—lyrical writing, characters worth rooting for, a sure-footed belief in the power of goodness—plus a twisty plot that will keep the pages turning long into the night.
Sometimes I'll be fifty, sixty pages into something and I'll still be calling a character "X." I don't have a very clear idea of who the characters are until they start talking. Then I start to love them. By the time I finish the book, I love them so much that I want to stay with them. I don't want to leave them ever.
I never have people tell me their stories. I usually have to figure them out myself. Because I know that if people tell me stories, they will expect them to be remembered. And I cannot guarantee that. There is no way to know if the stories stay after I'm gone. And how devastating would it be to confide in someone and have the confidence disappear? I don't want to be responsible for that.
Does it not stir up our hearts, to go forth and help them, does it not make us long to leave our luxury, our exceeding abundant light, and go to them that sit in darkness?
Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to love what you can't grab onto.
I do have an office where about 70 percent of my writing gets done, but sometimes it does get a bit stir-crazy to be cooped up in there, so I'll grab my laptop and write somewhere else: another room in the house, out on the patio, or even Heaven-forbid, a trip to Starbucks. But I also write on the road.
Those who get their living by their daily labor . . . have nothing to stir them up to be serviceable but their wants which it is a prudence to relieve, but folly to cure.
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