A Quote by Harland Miller
I think much sociopolitical art delivers truisms that are quite flat.
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cliches are truisms and all truisms are true
Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic. And my painting still today is very flat...American craft is like that too - the painting is very flat. And also the painting that you see on the storefronts, handmade signs, tend to be very flat. That's probably my biggest influence.
Our time and attention is scarce. Art is not that important to us, no matter what we might like to believe... Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self image. How we look at art should account for those imperfections and work around them. Keep in mind that books, like art museums, are not always geared to the desires of the reader. Maybe we think we are supposed to like tough books, but are we? Who says? Many writers (and art museums) produce for quite a small subsample of the... public.
Life just happens the way it's supposed to happen. It delivers you to where it delivers you.
Life was like a batch of biscuits without the baking powder: flat, flat, flat.
My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
I think middle America has changed very, very much. I think people are way more open-minded. I think - I think it's because the Internet. I think they're exposed to so much. All the men talked about how much they love their wife, which I don't hear all the time in art communities.
We believed that there's no such thing as good art or bad art. Art is art. If it's bad, it's something else. It was a much, much harder line in the '50s and '60s than it is now, because the idea of art education didn't exist - they didn't have a fine arts program when I was a kid.
2D looks so flat. Well, it is, of course, it's flat. But 3D isn't. And for an adventure story that takes you into a long-distant, fictional world, it's ideal, I think.
I may paint flat, but I don't think flat.
I think art is much more about an engagement with the world, a way of being called upon and recognizing that the world is speaking to you. Which isn't quite solitude, even if you're alone when it happens.
Basically, I'm motivated to write about sociopolitical issues as well as relationships. I think those themes have stayed with me throughout my life.
I don't get particularly precious about things like this, though. Like the record company said, "We need a radio edit that delivers the hook" - I don't even know what they consider the hook in that song ["Oh No"] - "that delivers the hook sooner." So I'm like, "Okay. I see that." And they were all walking on eggshells, like is this going to be sacrilegious to me or something, to mess with this art I've created? And I'm like, "Great. I get to tinker with it, I get to mess with my song some more."
I start really missing London when I go away. I have a little flat, but very central. I live above a pub and you'd think it'd be a nightmare, but I like hearing the music and it's quite comforting.
The web's democratic in one way and distinctly undemocratic in another way. And I think a lot of the confusion about the political ramifications have to do with that one word having so many meanings. So, it's democratic in that it quite literally delivers power to the people; it, it essentially opens up participation in the public's mind.
My instinct is to assume that we consumers are an inconsistent bunch. We like competition if it delivers low prices, but grumble if it delivers the bad news that prices need to go up.
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