A Quote by Harland Miller
What's best about those seaside towns is that they are like time warps, and that's why people go there.
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I can imagine moving out to the seaside at some point. I like Brighton, my sister lives there. I'm a seaside boy and whenever I go there, I find myself writing songs about it.
When I read Matt Ruff's book, that was my first encounter with learning about sundown towns, and I was like 'What?' Like, you can't make this up. If I wrote this horror movie talking about sundown towns where you can't be black after dark in America, people be like, 'OK, we get the metaphor,' and it's like, no, that's real. It's not a metaphor.
I prefer to go to the little towns now, because in little towns people are kind. I like going to Tepotzlán.
When we first started touring, we were going to these towns we'd never otherwise go to, never otherwise see, and that's sort of why we like being in a band. But we started playing these bigger rooms and not even seeing the towns.
I've seen it [Australia] go from a lot of small towns to big towns, but I think it has found its identity in all this time... it's a very special country, I could easily live here.
There's a melancholy sense of things lost in the shabbier British seaside towns; of comfortable failure and better times long gone.
I don't want to get too dippy about all this. If you take the view of the scientist and everything is in a state of vibration, then every note is a vibration, which has a certain frequency, and you know that if you put 40 beats into a frequency it's going to be the same note every time. You take that into infrasound and people can be made to be sick, actually killed. Taking it the other way, not to be too depressing, what about euphoria, etc., and what about consciousness being totally... no, I won't go into that one. Time warps.
If bringing up the next generation is important, why aren't they the best qualified, the best paid? Why aren't we as concerned about their career progression as we are about those who work in the education or health services?
But nothing warps time quite like childhood
I just like country because a lot of those guys are from towns that I'm maybe from, for one. But also, I like how humble they are, and they're genuine people, I think. I'm not saying that rappers or rock and roll, those people, aren't. But I just feel like I get along with those guys because they're from small town.
Why are the people starving?-
Because their grain is being eaten up by the taxes
That's why they're starving
Why are people rebellious?-
Because those above them meddle in their lives
That's why they're rebellious
Why do people regard death so lightly?-
Because they are so involved with their own living
That's why they regard death so lightly
In the end,
The treasure of life is missed by those who hold on
and gained by those who let go
If you go back in history, the most deadly parts of the hurricane has been water. Wind is actually not as deadly as people think it is, although they tend to look at the wind field and look at that as a risk. What has historically killed people in past from hurricanes has been water, storm surge. That Hurricane Hugo's coastal flooding has been the leading cause of death. And that's why we're so adamant about getting people to evacuate. We spend a lot of time and resources to map those areas ahead of time. But it only works if people heed those evacuations and go to higher ground.
It became a question of taste. I have a certain taste in art history. And that - I had a huge library of art history books in my studio. And I would simply have the models go through those books with me, and we began a conversation about, like, what painting means, why we do it, why people care about it why or how it can mean or make sense today.
Go play with the towns you have built of blocks, The towns where you would have bound me! I sleep in my earth like a tired fox, And my bufdfalo have found me.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
I felt a combination of happiness and humility [ to People Magazine's 100 Most Beautiful People ]. At the same time there's a lot of pressure, because people can approach you whose intentions aren't in the best place, and they can say things that are very hurtful. And on one of those days when you wake up and you just go and get your coffee without worrying about looking your best, you make yourself vulnerable to someone who'd say something like, "You look awful for being on the Top 100 list."
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