A Quote by Harland Williams

I don't laugh so much at jokes and premises as I do at a guy who goes onstage and starts twitching and acting funny. — © Harland Williams
I don't laugh so much at jokes and premises as I do at a guy who goes onstage and starts twitching and acting funny.
I had a moment where I was onstage once... As a comedian, you just think, 'Be funny as possible all the time - like, funny at all costs - jokes, jokes, jokes.' That's how my mentality was.
There's a guy in the audience with a distinctive laugh. I hope that guy is miked. The only problem with having a distinctive laugh is I know exactly when that guy isn't laughing. "Oh, distinctive laugh doesn't think that joke was funny!"
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
I'm not the type of guy who's funny in the room. I'm the guy who's funny late at night on a computer, trying to construct jokes.
The problem is that we live in an uptight country. Why don't we just laugh at ourselves? We are funny. Gays are funny. Straights are funny. Women are funny. Men are funny. We are all funny, and we all do funny things. Let's laugh about it.
I take a lot of pride in managing to be funny without having a victim at the end of my joke. I laugh at a really dark joke as much as the next person, but my jokes, I feel, don't have to hurt anybody to be really funny.
The first condition for comedy is that if you laugh at your own jokes, others won't laugh. You have to say something funny very seriously.
Sometimes, comics will make the observation that it's not jokes that are funny, it's characters that are funny. And isn't that true! That's why I always kill jokes. I'm terrible at them, because I get the joke right, but I can't get the character right, and it just goes down like a lead balloon.
Matt LeBlanc thinks his own jokes are funny which is problematic when you're driving along - he expects you to laugh and often they're not funny.
It's funny: most people who recognize me on the subway and stuff - it's much more they think of me as a funny guy. I get much more of people telling me how much I make them laugh, actually. Which is nice.
I'm a very jovial guy. I like to laugh, and when things strike me as funny, I don't hide the fact that it's humorous to me. It almost doesn't matter where I'm at: I will burst out and laugh if it's funny to me.
I wasn't the class clown. I wasn't that obvious. There would be a circle of guys, and they're watching the class clown. And I'm standing in the back, and I turn to the guy next to me and I say something funny to him, and he starts to laugh. And the guy next to him says, 'What did he say?'
I had no desire to get up onstage and tell jokes. I prefer to stand next to really funny people.
I definitely do have a persona onstage. I definitely am a completely different person, but I'm still having a lot of fun and there's a lot of acting that goes into it. But I haven't been playing many shows when I'm working on acting as much because it's tiring, number one. And number two, it's hard for your mind to makeup what it wants to do.
The funny thing is, when I've gone through the relentless editing process, my editor and I are amazed the Mercy Watson books still make us laugh. The same jokes that made us laugh the first time around still make us laugh in the 16th rendition.
In 'The Sound of Music,' I was a von Trapp daughter in a white dress with a blue satin sash, and my line was, 'I'm Brigitta. I'm 12, and all I want is a good time.' I got a laugh. And I was so delighted, I laughed, too. Sadly, that's a problem I still have - onstage, I laugh hysterically at how funny I am.
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