A Quote by Harland Williams
If you're going to take a jab at someone, you should at least have a bit more of a personal relationship with them. I feel like you can be funny and clever, as opposed to just outright vile.
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Fighters DON'T know how to jab. You take Roy Jones, for instance. He paws his jab. He throws it out, it don't land. And then he'll hit you with a left hook, hit you with a right hand. But he doesn't really know the jab. A guy needs to learn the jab, know the jab, and use the jab. And these guys don't do it today.
The thing that I'm most passionate about, I'm writing a book called 'Jab Jab Jab Jab Jab Right Hook,' and it really focuses on how to story-tell in a noisy, ADD world.
I decided about a year ago, and I just feel like I want to see more personal style in people, and I feel like if I'm going to be out there in the public eye, they should see who I am and how I dress, and I feel like it, also.
Because you can never go from going out to being friends, just like that. It's a lie. It's just something that people say they'll do to take the permanence out of a breakup. And someone always takes it to mean more than it does, and then is hurt even more when, inevitably, said ‘friendly' relationship is still a major step down from the previous relationship, and it's like breaking up all over again. But messier.
My debut single "Pointless Relationship" is about a girl's view of where the relationship is going with her partner and it sounds like a negative term. But the song is more of an empowering song from a woman's perspective! It's the life of them together and it's just never going to go where it should go, and so she's saying to him this is a pointless relationship.
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
Some of the biggest challenges in relationships come from the fact that most people enter a relationship in order to get something: they're trying to find someone who's going to make them feel good. In reality, the only way a relationship will last is if you see your relationship as a place that you go to give, and not a place that you go to take.
I think women are much more open to new ideas but approach a line more from a more personal and skeptical place - you need to seduce them into your clothes, whereas most men just like to be told what they should be wearing. Women are a bit like cats and men like dogs in that respect when it comes to clothes.
I make these little films. I'm just a working person. I just study people a little bit more. It's more sociological, and it's funny anyway - not that serious. It's not like false humility. I just take it for what it is.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
I think you do have to attend to the sort of core values of film, which is that the audience wants to have a relationship with the characters, they want to understand what's going on there. There are certain things that comics can have a little bit more freedom in then when you're asking an audience to engage in it as a piece of cinema, but I do feel like the canvas is much bigger and wider and that we're being invited and frankly challenged to take risks, to be a little bit different. And that's fun, that's exciting.
I don't think I always look in people's faces, like, as - I think especially when I'm doing my more intimate songs that are quite personal, I always feel it's a bit accusing if I stare in someone's face when I singing quite a personal lyric.
I have no respect for someone who lies about their sexuality. At the very least say 'no comment', just keep your personal life personal. If you're going to closet yourself, that sends a negative message.
I think writing kind of burns out the flaming question. Sometimes it might feel like when you're living with certain paradoxes and they're unarticulated, you feel pressure to choose. I feel more comfortable living in the paradoxes that I've named and laid out, whereas when I started they might have felt like real agitations. At least I see them more clearly after having sketched them for myself and made a place to stand in relationship to them that felt okay enough to last through the course of a book.
I am much more likely to care about someone trying to be funny and give them some credit for whatever he or she did that was remotely funny than I am to be mused by somebody declaring this isn't funny, that isn't funny, this sucks. If you want to write humor, you're going to have to get used to that.
When you least feel like it, do something for someone else. You forget about your own situation. It gives you a purpose, as opposed being sorrowful and lonely.
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