A Quote by Harold Bloom

To be a poet did not occur to me. It was indeed a threshold guarded by demons. — © Harold Bloom
To be a poet did not occur to me. It was indeed a threshold guarded by demons.
Judge: And what is your occupation in general? Brodsky: Poet, poet-translator. Judge: And who recognized you to be a poet? Who put you in the ranks of poet? Brodsky: No one. And who put me in the ranks of humanity? Judge: Did you study it?...How to be a poet? Did you attempt to finish an insitute of higher learning...where they prepare...teach Brodsky: I did not think that it is given to one by education. Judge: By what then? Brodsky: I think that it is from God.
I think we all have demons, but my demons aren't that bad. They're productive demons. They keep me focused on the man I want to be and the life I want to live.
By subliminal, I mean things that occur in our world that are below the threshold of consciousness but do have a psychological effect on us.
The truth is, indeed, that love is the threshold of another universe.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
No one shrieked, 'We want Bung Hatta.' I did not need him. Just as also I did not need Sjahrir, who refused to show himself at the time of the reading of the Proclamation. Indeed, I could do it myself, and indeed, I did it alone.
Sure.” Olivia smirked. “Good ol’ New York Public Library. I’m sure it’s up to date on the latest Demons that escape through well-guarded Demon Gates.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
It's very important to me to be an American poet, a Jewish poet, a poet who came of age in the 1960s.
There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.
The teacher who is indeed wise does not bid you to enter the house of his wisdom but rather leads you to the threshold of your mind.
Happy indeed the poet of whom, like Orpheus, nothing is known but an immortal name! Happy next, perhaps, the poet of whom, like Homer, nothing is known but the immortal works. The more the merely human part of the poet remains a mystery, the more willing is the reverence given to his divine mission.
There are parts of me that I keep secret even from myself. I have demons and I'd love to be able to healthily look at the demons and still be a wonderful actor and not feel I need them to create.
Even very low-probability events can, and indeed do, occur.
No poet is required to write in stanzas, or indeed in regular forms at all. Coleridge's 'Dejection: An Ode' has a rhyme scheme and sequence of long and short lines that goes without regular pattern, following the mood and whim of the poet. Such a form is known as an irregular ode.
I feel almost as if I had been born in a vacuum of innocence, and then had to come to terms with the fact that actually, I was born into the middle of history - the rather grimy normality of the 70s, which did, indeed, retain some traces of human innocence, but were also girded about by the demons of experience.
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