A Quote by Harold Bloom
I think Freud is about contamination, but I think that is something he learned from Shakespeare, because Shakespeare is about nothing but contamination, you might say.
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We live in a modern world, and in contemporary music the central fact is contamination. Not the contamination of disease but the contamination of musical styles. If you find this in me, that is good.
People say that the Bible is a boring book...but they don't say that about Shakespeare, because the people who teach Shakespeare are zealous for Shakespeare.
T. Ray said 'Who do you think you are? Julias Shakespeare?' The man sincerely thought that was Shakespeare's first name, and if you think I should have corrected him, you are ignorant about the art of survival.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
I think working on Shakespeare was a big part of my time at drama school. I'm so glad that I got to know Shakespeare and got a chance to play great parts in Shakespeare, because it really teaches you - or taught me, anyway - everything.
People are going to say, ‘Well, it’s not very truthful.’ But a songwriter doesn’t care about what’s truthful. What he cares about is what should’ve happened, what could’ve happened. That’s its own kind of truth. It’s like people who read Shakespeare plays, but they never see a Shakespeare play. I think they just use his name.
In fact, it is Shakespeare who gives us the map of the mind. It is Shakespeare who invents Freudian Psychology. Freud finds ways of translating it into supposedly analytical vocabulary.
I feel I understand now why, whenever there are revolutions, Shakespeare is what people turn to. Because whenever a society is on the cusp, about to become something else, they find themselves in Shakespeare.
I think about Shakespeare. Because there have been hundreds of variations of Shakespeare's plays since they've been written, and I believe it's because they're important. They're still relevant today. 'Roots' is still relevant today. The idea that we shouldn't tell this story again is very strange to me.
I believe strongly in what John Keats called negative capability: the trait or practice that allows a poet to remain in uncertainties, mysteries, doubts, without any irritable reaching after fact & reason. For Keats, William Shakespeare exemplified negative capability, and I do think it's extraordinary that for all the thousands of pages Shakespeare left behind, we really don't know much about Shakespeare's own personality or opinions.
Shakespeare's always been sitting on my back, since I began reading. And, certainly, as a writer, he's who I hear all the time. And he's almost indistinguishable now from the English language. I have no sense of what Shakespeare is like. I have no sense of the personality that is Shakespeare. I think, alone among writers, I don't know who he is.
Nothing's true that I say, because I don't really want to say anything. I don't think my life's that cool, and I don't think my opinion's that valid. They're just silly jokes. Usually I just take a topic that isn't funny at all, like Shakespeare, and work backwards. I just try to find an unfunny subject.
Working on Shakespeare and learning about Shakespeare was the big takeaway for me.
I think there's something about a sylvan setting; you want grass and nature with outdoor Shakespeare.
There's more of yourself in a book than a play. that's why we know all about Dickens and not much about Shakespeare. Ben Jonson murdered people; Marlowe was a spy; Shakespeare just sat in the corner and took notes.
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