A Quote by Harold Bloom
The second, and I think this is the much more overt and I think it is the main cause, I have been increasingly demonstrating or trying to demonstrate that every possible stance a critic, a scholar, a teacher can take towards a poem is itself inevitably and necessarily poetic.
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There are two main goals behind ALF actions. The first is obviously to remove as many animals as possible from fur farms, vivisection labs, and other areas of abuse. The second is to cause as much economic damage to these industries and persons as possible.
I've always been more than a little mystified by poets who seem to think talking to people as directly as possible is a bad thing. I mean, I don't want to set up a straw man here: I understand that for many poets - and for me, at times - writing truly means writing in a way that is difficult, simply because the poem is trying to grasp for something elusive. So the difficulty of the poem is just unavoidable, and not in any way artificially imposed. So "as possible" is the key part of the phrase above, I suppose.
Every living thing is a sort of imperialist, seeking to transform as much as possible of its environment into itself . . . When we compare the (present) human population of the globe with . . . that of former times, we see that "chemical imperialism" has been . . . the main end to which human intelligence has been devoted.
I do think my lyrics have gotten... not necessarily more poetic, but more open to interpretation; they're less literal.
Because I love narrative but am more lyrically inclined, I've learned that if I freight titles with narrative information (the who, what, when, where, why of the poem), I can get to my main interest, which is the language, and where it wants to take me. If I can establish the poem's occasion in the title, then so much the better for my freedom to associate.
Feminism is very much a part of a lot of my student's lives, but they're not going to march about it or take a public political stance. And I think more and more young women are claiming that they're not feminists - even though they are.
Think about the deflections. The offense can't score every play. They're just trying to get a good shot. If I can deflect a pass, even if it doesn't cause a turnover, it will throw their timing off half-a-second. That half-a-second might mess up their shot.
Karate is my main martial art; that is what I train in every day. It has always been in my life. Sumo is another Japanese martial art that I got into at an early age. It is something that has helped and added to my overall stance and is a good base. It is not something I necessarily use in all my fights, though.
The welfare state that is built upon this conception seems to prove precisely away from the conservative conception of authoritative and personal government, towards a labyrinthine privilege sodden structure of anonymous power, structuring a citizenship that is increasingly reluctant to answer for itself, increasingly parasitic on the dispensations of a bureaucracy towards which it can feel no gratitude.
I live in New York now and most of magazines have turned more towards reality stars. So, really I think that's great because it's turned towards people who want it rather than... So, I think it's actually kind of imploding in on itself a little bit.
My life since the White House has been much more all-encompassing, much more enjoyable. The main thing that I've acquired has been access to the poorest and most destitute, forgotten, and suffering people on Earth. It's not possible for a President to actually know them.
Increasingly, I'll see commercials and every fast food chain has the new spicy fries or spicy this or spicy that and I feel like that is popping up more and more. Humbly I do think 'Hot Ones' is at the center of that storm in a lot of ways. So yeah I think that we've helped take hot sauce and move it into a more mainstream place for sure.
One of the things women poets have been engaged in - among the other things they've been doing - is revising parts of the poetic self. Re-examining notions of the authority within the poem, and of the poem.
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
I think raise doubts that's what Russians are doing around the world. I think they're trying to do that. I think they're trying to cause everything to be in question. We see them playing in a lot of different elections and trying to do that, because that's all they've got.
I think it is effective when activists work from the margins, and I think that's the best way to go about it. And I do think that it's increasingly being more effective with the work that's being done online, that it is a bit more democratized, that whatever kind of activism is being done, it's not necessarily coming from one centralized place.
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