A Quote by Harold Budd
I felt Brighton was a perfect ending to a really interesting career.
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I was very lucky to find a career which let me travel, sourcing stores in other countries, just the opportunities of the career in design and finance and all the things that make retailing - my career - interesting to me. That's why I started looking at community responsibility. I felt I should give of myself.
It's really quite an interesting dynamic. I wanted to play to the truth of who Manute was in the first film, while it's also a prequel and the originator [of the story]. It was an interesting dynamic to work with, definitely. I haven't seen the film yet, but the way it felt when I was doing it, it felt like it worked.
My wife is from Brighton so I got a bit of stick for going to Palace even though in my first three-and-a-half years at Brighton I didn't actually face them. So I don't think I completely understood the rivalry.
It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.
I think what women are doing to themselves is that they're seeing these different images of perfection - the perfect wife, the perfect mother, the perfect career person, the perfect movie star - and they're somehow thinking that they should be all of these things, and that's the problem.
A good plan today is better than a perfect plan tomorrow. Don't wait for an inspired ending to come to mind. Work your way to the ending and see what comes up.
I felt they had really moved the characters in a direction that was very interesting. The family had really felt the impact of what had happened to the.
I think it's really important to remember that it's a long life, and it's a long career. In a perfect world, your career will be long. It does not begin and end with any one job. The point is to continue to have longevity in your career.
I'm not particularly a career-oriented guy. I'm lucky. I can make really interesting films much of the time with interesting people yet be anonymous, have a private life. But, I'd like to have the choice of the better roles.
I wanted to build respect with my peers... I felt like I had done that throughout my WWE career. I really felt it and knew it was there when I got injured.
Floyd Mayweather said it, perfect boxing career, undefeated, but he says that in life there's balance. He might have the perfect boxing career, but elsewhere there's loss.
Fly flight is just a great phenomenon to study. It has everything - from the most sophisticated sensory biology; really, really interesting physics; really interesting muscle physiology; really interesting neural computations.
The stories that I want to tell, especially as a director, don't necessarily have a perfect ending because, the older you get, the more you appreciate a good day versus a happy ending. You understand that life continues on the next day; the reality of things is what happens tomorrow.
I went to Bard College, which was a really interesting synthesis of a hippie school and a serious academic institution. It was really the perfect spot for me.
I think happiness really happens when you least expect it: it's when you're not really thinking about it, when you're not trying to achieve it, when you're not trying to get the perfect holiday, the perfect life, the perfect body, the perfect existence.
I liked 'Brighton Beach Memoirs,' which I did with Neil Simon. I kind of was playing him, as Eugene Morris Jerome, and I played that a few times at the very beginning of my career.
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