A Quote by Harold C. Schonberg

Last night at Carnegie Hall, Jack Benny played Mendelssohn. Mendelssohn lost. — © Harold C. Schonberg
Last night at Carnegie Hall, Jack Benny played Mendelssohn. Mendelssohn lost.
It was an important part of Mendelssohn's philosophical and religious view that the traditional rationalist proofs for God's existence should be sound an convincing. Kant thought they were not. So Kant's critique was world-shaking for Mendelssohn.
I've been involved with Carnegie Hall for the last 13 years, and Chairman for the last six. I feel really good about what we've done growing our educational programs there, building a board that has made Carnegie Hall really a world-class institution.
We played Carnegie Hall, and that was one time where I felt... Carnegie Hall as a legendary, very venerable place to perform. I'd never heard of anyone going into the Hall and kind of standing on the seats and playing throughout the aisles and having the audience stand on the seats. So when we did that in 2013, even for me it was a shock.
Ive been involved with Carnegie Hall for the last 13 years, and Chairman for the last six. I feel really good about what weve done growing our educational programs there, building a board that has made Carnegie Hall really a world-class institution.
When I was young kid, I used to watch Jack Benny, and I thought the minimal aspect of what he did was revelatory. I loved Jack Benny.
Jack Benny, Fred Allen. Their jokes were wonderful. It takes skill to be funny. The timing of Jack Benny was so fine. It is a form of genius for which we should be grateful.
Any pianist and singer/songwriter would say "Carnegie Hall." It's such a legendary place. I'd love to play at Carnegie Hall. That's definitely dream of mine.
[Moses] Mendelssohn was a religious Jew. I felt sorry for him.
My first hip-hop performance was at Carnegie Hall with Wyclef, ... I got a little feature and he announced me as the 'hip-hop violinist.' The next night I played at the Apollo.
An epigram is only a wisecrack that's played at Carnegie Hall.
I developed an anger at [Moses] Mendelssohn. Later, I read the book. I realized there was nothing subversive in it.
I'm trying to do the exact thing Verdi or Mendelssohn did - open up that spiritual space where we can all be fully ourselves.
When I came to the United States, I appeared on the Ed Sullivan Show as a 13-year-old, and I played a Mendelssohn Concerto, and it sounded like a talented 13-year-old with a lot of promise. But it did not sound like a finished product.
There's a million people who can go out and play the Mendelssohn Violin Concerto brilliantly, but we're the only ones who can do 'A Little Nightmare Music.'
I did a benefit one night at Carnegie Hall with Bono and Lady Gaga and Rufus Wainwright.
I became one of [Moses Mendelssohn] defenders. But then I heard the words "Biblical criticism" again. And, of course, afterward, I studied it more closely.
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