A Quote by Harold Evans
The camera cannot lie, but it can be an accessory to untruth.
Related Quotes
It is said that the camera cannot lie, but rarely do we allow it to do anything else, since the camera sees what you point it at: the camera sees what you want it to see.
The true authenticity of photographs for me is that they usually manipulate and lie about what is in front of the camera, but never lie about the intentions behind the camera.
The chance that any given sentence is a lie, rather than a truth, I think, is fairly great. An intentional lie, a self-deception, a misconception - there are lots of categories of untruth, not one grab bag. And hotographs can reveal something to us, and they can also conceal things.
To say that "the camera cannot lie" is merely to underline the multiple deceits that are now practised in its name.
Lying is a crime the least liable to variation in its definitions. A child will upon the slightest temptation tell an untruth as readily as the truth. That is, as soon as he can suspect that it will be to his advantage; and the dread that he afterward has of telling a lie is acquired principally by his being threatened, punished, and terrified by those who detect him in it, till at length, a number of painful impressions are annexed to the telling of an untruth, and he comes even to shudder at the thought of it.
The Big Lie is a major untruth uttered frequently by leaders as a means of duping and controlling the constituency.
I believe how a character eventually turns out is completely attributable to an actor. Even with a meaty role, if I am enacting it as an accessory, I will look like an accessory.
Semiotics is in principle the discipline studying everything which can be used in order to lie. If something cannot be used to tell a lie, conversely it cannot be used to tell the truth: it cannot in fact be used "to tell" at all.
Once a photographer is convinced that the camera can lie and that, strictly speaking, the vast majority of photographs are camera lies, inasmuch as they tell only part of a story or tell it in distorted form, half the battle is won. Once he has conceded that photography is not a naturalistic medium of rendition and that striving for naturalism in a photograph is futile, he can turn his attention to using a camera to make more effective pictures.
The camera cannot leave the man, but the man can leave the camera. It's in the style of documentary where you make an agreement between a camera and a man and say, "I'm going to film you now."
One of the things I learned early on was the system of believing: you have to believe in what you say. The camera is the arbiter of truth; it's the all-seeing eye that can pick out discrepancies. You can't lie to the camera. You must believe in what you're saying, or the audience won't believe you.
They who imagine truth in untruth and see untruth in truth will never arrive at the truth.
Glorify a lie, legalize a lie, arm and equip a lie, consecrate a lie with solemn forms and awful penalties, and after all it is nothing but a lie. It rots a land and corrupts a people like any other lie, and by and by the white light of God's truth shines clear through it, and shows it to be a lie.
And the reason is found in the first lie - the lie which you hold as the truth about God - that God cannot be trusted; that God's love cannot be depended upon; that God's acceptance of you is conditional; that the ultimate outcome is thus in doubt. For if you cannot depend on God's love to always be there, on whose love can you depend? If God retreats and withdraws when you do not perform properly, will not mere mortals also?
As for a signature accessory, I believe in something totally unique that I love and is very personal. It could be a fab pair of vintage earrings I picked up on my travels or a beautiful brightly colored hat or heels, or a fun clutch or handbag. Truthfully, though, the ultimate accessory is a big smile and positive energy!
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
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