A Quote by Harold Lederman

I try to add as much as I can before a director says, 'Harold shut up!' — © Harold Lederman
I try to add as much as I can before a director says, 'Harold shut up!'

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[NFL fans] wish they'd shut up and play football, and I think the vast majority of people, "Shut up and act! Shut up and sing! Shut up and star in your TV show! Just shut up and do what you do, but shut up!" I think they're wearing out their welcome.
I know what its like to direct. You become a more considerate actor. After you have directed, you understand what is going on. You can't help but think of the material as a director. You do come up with suggestions. You come up with shortcuts that you weren't aware of before. You try to be helpful to the director if he has a lot on his hands.
The honey doesn't taste so good once it is being eaten; the goal doesn't mean so much once it is reached; the reward is no so rewarding once it has been given. If we add up all the rewards in our lives, we won't have very much. But if we add up the spaces *between* the rewards, we'll come up with quite a bit. And if we add up the rewards *and* the spaces, then we'll have everything - every minute of the time that we spent.
I was fortunate to be able to do two movies with Harold Ramis. He was the kindest of any director with whom I worked. Harold was a genius. On top of his talent, he could do the 'New York Times' crossword puzzle faster than anyone! I am lucky to have known him as well as I did. I will miss him.
Unfortunately the situation of human rights in Iran isn't improving. Some of the newspapers were shut down and the government didn't try to reopen the newspapers that were shut down before. And the laws are as bad as before.
I think people talk too much anyway. Sometimes people are talking to me and in my mind I'm just like “shut up, shut up, shut upblah blah blah blah blaaaaah.
Any director who comes into a revival owes a great deal to the original director. If I know the backbone works, it gives me, as a director, much more freedom to bring something new to it or try something different.
Shut up," Morgan said, whirling on the woman and pointing the sword at her. "Shut up, you shrill harpy, before I aid you in doing so by means of a dozen ways you won't care for in the least." Adhémar's fiancée fell, blessedly, silent.
I've never like had a system or a program, I always think that I don't know how to act. I'll adapt to any director because I don't really have a set way that I do things. If a director hires me and says, "I want you to get started right now and do this research, this research, this research and I want you to have every line memorized before you ever show up for the first day," then that's what I'll do.
My whole process is based on meditation as well as listening really closely to what the director says and what the choreographer says. I try to stay in the immediate present reality with my partners on stage, give and take reality.
I try not to focus on taking things away; I try to add in nutrient-rich foods into the things I eat. I don't say, 'I'm going to take out the fat.' I say, 'What can I add in to make my muscles work more? What can I add into this that will give me the vitamins I need?' It feels luxurious!
My mantra is: put your brain into gear and if you can add to what's on the screen then do it, otherwise shut up.
I get a lot of "Shut up, Matilda." I probably get as many "Shut up, Matildas" as Wil Wheaton gets "Shut up, Wesleys." That was an actual line on his show, though.
Charles Bean is a brilliant director. I come in with an idea and try to do it, but I fall on my face. And then, he says, 'Wait a minute, there was a little moment in there. Let's try that moment and expand in that direction.'
I get called Harold the most. I think maybe 'Harold & Kumar' fans don't know my name, and 'Star Trek' fans do know my name... Harold fans are vocal!
As she left my room I knew I should shut up. But you know when you should shut up because you really should just shut up...but you keep on and on anyway? Well, I had that.
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