A Quote by Harold Pinter

I thought the plays would speak for themselves. But they didn't. — © Harold Pinter
I thought the plays would speak for themselves. But they didn't.
Characters on stage, like people in what we refer to as "real life," do not speak to reveal themselves. They do not speak to conceal themselves. They speak to get whatever it is that they want. It is the only reason they speak.
Do not be surprised. I do not like writers and I cannot stand their lies. They speak so as not to listen to themselves speak. If they did listen, they would know that they are nothing and then they would no longer be able to speak.
I think my pocket presence and my ability to extend plays speak for themselves.
I would encourage my children to protect themselves if there's any sort of physical abuse against them. I would definitely go speak to the perpetrator, and if the perpetrator was a child, I'd speak to their parents. But I ... Oh my God, I don't know what I'd do if I was privy to watching my kids being bullied! I would do what any parent would, I'd be like a grizzly bear protecting his cubs.
To go from someone who would put something on SoundCloud and maybe get 15,000 plays in a year to getting 100,000 plays in one day felt very weird. I thought I was dying.
The thing about animals that speaks to me so much is that my passion for the animals and against animal abuse is based on the knowledge that these creatures which think and feel can't speak for themselves. I feel it is my responsibility to speak for those who can't speak for themselves.
I always wanted to act, but I never thought it would be my profession. I thought that I'd end up doing other things, but that in the meantime I'd do plays.
When I go to Colombia or Mexico, I speak Spanish. When I go to Italy, I speak Italian. When I'm in Germany, I speak German. Would I expect them to speak English in these countries? No. I mean, great if they do, but no. Would I be offended if in Spain they say we speak Spanish? No. If I was an immigrant there, no.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
I didn't wake up one day and want to become an entrepreneur. I had the idea for Rent the Runway and thought it would be fun to work on and also thought if it was successful, it would make women feel great about themselves.
I learned early on that one of the secrets of campus leadership was the simplest thing of all: speak to people coming down the sidewalk before they speak to you. I would always look ahead and speak to the person coming toward me. If I knew them I would call them by name, but even if I didn't I would still speak to them.
I have seen these persons speak unthinkingly, not realizing that to speak is also to be. Word and gesture are man's thought. We should not speak without reason.
Plays were really my last option. The reason I didn't write plays initially was because I thought theatre was the worst of all the art forms.
I fell in love with acting, just going to a lot of plays. My parents went to a lot of plays, and I went to a lot of schools that would get plays for kids.
If the laws could speak for themselves, they would complain of the lawyers.
I just find this interesting that Ronald Reagan was regarded much the way Donald Trump is except Reagan was governor of California. He had run for the nomination the Republican Party in '76. But he was laughed at. They thought he was dumb then. They thought he was slow minded and dim-witted back then. They thought he couldn't speak. They thought Reagan - amazingly, a guy that later became known as the Great Communicator - couldn't speak.
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