A Quote by Harold Pinter
The Room I wrote in 1957, and I was really gratified to find that it stood up. I didn't have to change a word.
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I will never forget that the only reason I'm standing here today is because somebody, somewhere stood up for me when it was risky. Stood up when it was hard. Stood up when it wasn't popular. And because that somebody stood up, a few more stood up. And then a few thousand stood up. And then a few million stood up. And standing up, with courage and clear purpose, they somehow managed to change the world.
I wrote 'The Room', 'The Birthday Party', and 'The Dumb Waiter' in 1957, I was acting all the time in a repertory company, doing all kinds of jobs, traveling to Bournemouth and Torquay and Birmingham.
All of you are aware of the tragic history of racism in America, but for a very long time, African-Americans and their white allies came together and they struggled and they stood up for justice and they stood up to lynching and they stood up to segregation and the stood up to a nation where African-Americans couldn't even vote in America.
For the first few years I wrote jokes and performed them word for word and then wrote tags for them and did that word for word and that worked pretty well. Now, I do almost all of my writing on stage and then record and listen for any new things and then I write those down.
But I started it when I was going through a transitional time in my life. At the end of it, it really sort of symbolized it. I had made room to change, and room to grow. I recorded it in a little room.
I like to look up the formal definitions of words that I'm already familiar with and sometimes you find out a word means something you didn't already think of, you know? I looked up the definition of "upset" and it was something like, "To be filled with uneasiness and anxiety," and I feel like that all the time, so I was like, "That's appropriate." But also it's a name that when you hear it, you wouldn't assume that it's any certain type of band. It kind of has room to grow into and make it redefine the word.
If you're a young person who wants to become an actor, it's really important to walk into a casting room with a sense of yourself and some life experience. You can really delight a room and have them already choose you before you've even said a word!
I don’t know. Word around the girls’ locker room is that all of you are so hard up, you were cruising the senior center, trying to find a prom date.” – Nick
Manual Lynn? Find out what that is. He wrote every single word in the play, and then everyone just rapped their parts. Imagine if like, Eminem wrote a play, that's what it sounded like to me.
People don't like the word 'feminism' - that's what needs to change, because we're not going to find another word.
I wrote a book. It sucked. I wrote nine more books. They sucked, too. Meanwhile, I read every single thing I could find on publishing and writing, went to conferences, joined professional organizations, hooked up with fellow writers in critique groups, and didn't give up. Then I wrote one more book.
And this has been man's stupidity - a very ancient one: whenever he gets into difficulty, he changes the word. Change the word marriage into soul mates, but don't change yourself. And you are the problem, not the word; any word will do. A rose is a rose is a rose...you can call it by any name. You are asking to change the concept, you are not asking to change yourself.
Imagine if we started raising generations of children who stood uncompromisingl y on the Word of God, knew how to defend the Christian faith, could answer the skeptical questions of this age, and had a fervor to share the gospel from the authority of God's Word with whomever they met! This could change the world.
I started to write religious music at a time when it was absolutely impossible. The first religious work I wrote was the 'Psalms of David,' when I was still a student in 1957... At that time, religious music was really forbidden.
My second play, The Birthday Party, I wrote in 1958 - or 1957. It was totally destroyed by the critics of the day, who called it an absolute load of rubbish.
If a word is misspelled in the dictionary, how would we ever know? If Webster wrote the first dictionary, where did he find the words? Why is 'phonics' not spelled the way it sounds? How come abbreviated is such a long word?
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