A Quote by Harold Prince

What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on. — © Harold Prince
What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.
I believe there's no reason why we couldn't be entering a new age of musical theater if we continue to nurture young talent, take risks, and give them a playing field.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
One hundred percent, all your Shakespeare training serves you in the work in musical theater today: specifically in modern musical theater, our soliloquies, and now what we call rap. It's the reason it's so easy to learn, because it's verse; it's rhyme! It just sticks in the soul very easily.
If you're willing to put in the work, the idea is that you should be able to raise a family and own a home, not go bankrupt because you got sick, 'cause you've got some health insurance that helps you deal with those difficult times; that you can send your kids to college; that you can put some money away for retirement. That's all most people want. Folks don't have unrealistic ambitions. They do believe that if they work hard, they should be able to achieve that small measure of an American dream.
It was not easy to convince someone to put their hard-earned money into my work. But if we have the talent and confidence and if the producers are confident of your work, it is not difficult to get a producer.
The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.
One has to nurture a new generation, to raise children in the spirit of Islam.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
I am neither a free-trade man, willing to collect all the money we have to raise by direct tax upon the people, nor am I willing to lay a tax simply for protection when the Government does not need the money.
You want to know the way to raise money? Put a transaction fee on Wall Street, so maybe we can curb some of the speculation and raise some money.
I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
In college, I actually majored in Musical Theater. I was pursuing a BFA in Musical Theater.
I still meet with friends, and I'm enjoying life at 97 here in Palm Springs. They are trying to establish a new theater here in the desert, and if they raise enough money, I understand they might be calling it The Carol Channing Playhouse. Wouldn't that be wonderful? What an honor that would be.
When I got to high school, I was going to do sports, but I got kicked off the volleyball team because I kept missing it for musical theater.
You don't enter the theater and pay your money to be afraid. You enter the theater and pay your money to have the fears that are already in you when you go into a theater dealt with and put into a narrative.
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