A Quote by Harold Prince

I wouldn't want to be just pigeonholed as an extravagant director. — © Harold Prince
I wouldn't want to be just pigeonholed as an extravagant director.
I don't want to get pigeonholed just doing just family films and fantasy films... I don't really want to get pigeonholed just doing anything in particular.
I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.
I don't want to get pigeonholed, and I want to try my hand at anything that excites me. I'm not just a Disney writer.
When you trust the director you want to trust his or her choices. I don't want to say, 'No, I don't like this girl or that guy," when the director really loves them. No, you want to go with what the director likes.
I just didn’t want to be pigeonholed as an 'ethnic comic' or an 'Asian comic.' I just wanted to be on the same playing field as everyone else.
I hope that in another way we can move the need to say, instead of being a Black director, or a woman director, or a French director that I'm just a director.
I embrace my blackness, just as I do my conservatism and my Christianity, but I don't want to be defined or pigeonholed by any one of the many elements that make up my character.
Every actor wants to change things up a bit. You don't want to be pigeonholed, and not just because of what the industry might think.
It's extremely important, a cappella groups get so easily pigeonholed into essentially just being a cover band, and we want to be at the forefront to show it's its own art form and just a different way to have a band. Only we just use our voices.
As an actress I find the most enjoyable part of acting is really just to please the director. I just want to please my director.
I don't want to be pigeonholed into doing just romantic comedies. But they're fun, and especially for women, it's nice to go to see them and enjoy that breath of fresh air.
I was asked in an interview once: You're writing another book with a female lead? Aren't you afraid you're going to be pigeonholed? And I thought, I write a team superhero book, an uplifting solo hero book, I write a horror-western, and I write a ghost story. What am I gonna be pigeonholed as? Has a man in the history of men ever been asked if he was going to be pigeonholed because he wrote two consecutive books with male leads?
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
It's beyond my control who's going to cast me or how you're going to pigeonholed, so for me, it's just I want to keep doing different things because I want to get better, so hopefully I'll be hired to do them.
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it. I definitely want to do that, because I tend to... when I put things in my own words, it comes out way better. It flows naturally, it just feels better. I can put some weight into the words. Even in comedy, it just comes better.
I wanted to make my sophomore film as different as possible. I didn't want to be pigeonholed. I didn't want to be identifiable.
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