A Quote by Harold Prince

The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same. — © Harold Prince
The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.
There's a reason education sucks, and it's the same reason it will never ever ever be fixed. It's never going to get any better. Don't look for it. Be happy with what you've got, because the owners of this country don't want that. I'm talking about the real owners now... the real owners. The big wealthy business interests that control things and make all the important decisions. Forget the politicians. The politicians are put there to give you the idea that you have freedom of choice. You don't. You have no choice. You have owners.
There has been a stigma around letting movies be seen on home screens on the same day as theatrical screens. Universal said they were going to do it with 'Tower Heist,' but they backed off when challenged by the theater owners. I understand where the theater owners are coming from on big studio movies.
The notion that journalism can regularly produce a product that violates the fundamental interests of media owners and advertisers ... is absurd.
What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.
Theater for me is about enduring human truth. Special effects can be part of that, but when they obscure what is the reason we come to theater - to see reflections of our confounded humanity - the theater has lost its way.
If we submit everything to reason our religion will be left with nothing mysterious or supernatural. If we offend the principles of reason our religion will be absurd and ridiculous . . . There are two equally dangerous extremes: to exclude reason, to admit nothing but reason.
It's called show business for a reason. The theater owners want to make money, and understandably so.
Superior leaders are willing to admit a mistake and cut their losses. Be willing to admit that you've changed your mind. Don't persist when the original decision turns out to be a poor one.
Everybody's trying to hold onto some shred of dignity in the process of it all, and, at the same time, never talking about how they don't have the power. No one has the power. So, you know, producers - we always think, "Well, producers are very powerful," but producers don't really have the power.
I think the most important thing to do is to be willing to listen, willing to care, and willing to admit mistakes and change your ways for the better!
Fans don't like owners. They know they are somewhere - actually, in Germany, some owners are anonymous. Fans don't sympathize with owners, so ownership stays in the back.
When one has been married over thirty years, of course it would be absurd not to admit there have been some difficulties, at some times. But the important thing is that we have weathered them.
The vast majority of our film producers are independent producers who live hand to mouth trying to get projects made that they love. They are not owners, they're not money people, and in fact, those who just have the money don't always get a producer credit.
Some in the West apparently believe that Poland no longer has its own interests, and that it is all too willing to agree with the opinions of others. This is absolutely not the case. Indeed, other countries in Europe uphold their own interests with great determination.
But merely accepting authoritarian truth, even if that truth has some virtue, does not bring skepticism to an end. To blindly accept a truth one has never reflected upon retards the advance of reason. Our world rots in deceit. . . . Just as a tree bears the same fruit year after year and at the same time fruit that is new each year, so must all permanently valuable ideas be continually created anew in thought. But our age pretends to make a sterile tree bear fruit by tying fruits of truth onto its branches.
We live in a time which has created the art of the absurd. It is our art. It contains happenings, Pop art, camp, a theater of the absurd... Do we have the art because the absurd is the patina of waste...? Or are we face to face with a desperate or most rational effort from the deepest resources of the unconscious of us all to rescue civilization from the pit and plague of its bedding?
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