A Quote by Harold Prince

Ethel Merman would stay with a show for years and tour with it. So would Mary Martin, the great stars. They recognized the value of that success and nurtured it. Now, you come from Hollywood, you play 12 weeks and go away. I don't think that's the best policy.
I worshipped Ethel Merman and I worshipped Ethel Merman a lot. It's incredible - Ethel Merman was a conventional singer. Her naming her child Ethel Merman, Jr., was, to me, one of the coolest feminist things.
I was in California, and I was going to UCLA, and I knew I certainly didn't have movie star looks. I remember seeing pictures and photos of Ethel Merman and Mary Martin, who were kind of average looking. I said, 'Well, that's for me, then, to go back to New York and try to be in musical comedy on Broadway.'
Mary Martin was Broadway's biggest closet king. Everyone thought Ethel (Merman) was butch and maybe a lesbian, but she wasn't. And everyone thought that lovely little Mary was Miss Femme, and she was -- except next to her gay husband. In other words, don't judge a star by her cover.
If you do a musical, it's really thrilling and it's a lot of work, but it's very rewarding. I would say, for me, what I like best is what I do, which is, I call it vaudeville, I call it live, I call it in concert, I call it what Bette Midler does, and what Garland did for years, and Ethel Merman.
Nine Inch Nails is like building an army to go conquer. We build it, then we play, and we have to play so much to validate building it, financially. It leads to getting burn-out because a tour that would be fun if it lasted three weeks has to last 15 weeks.
I was a policy office in my final tour in the Navy, a Russian policy officer, and we were always thinking about our interactions and how they would affect the country 10, 20 years from now.
When I started this character, it was me being 12 years old again. We would have other wrestlers come to our promos, and I'd geek out over them and show my excitement. I would just grab them and not let go.
The three theater peeps I would love to dine with are Mel Brooks, because he is so funny; Stephen Sondheim, because he is a god-like genius; and Ethel Merman, to compare notes on fabulous belting.
By about age 12, I would prefer to stay up and watch the stars than go to sleep. I started learning. I started going to the library and reading. But it was initially just watching the stars from my bedroom that I really did. There was just nothing as interesting in my life as watching the stars every night.
I was raised in bars. My grandmother had one, and when I was 12 years old I'd go stay with her and that's where I got to watch her band play -- she had a seven or eight-piece band, and I would sit in the kitchen and peek through the door. I was kind of a 12-year-old bottle washer.
I think it would be great to be a cat! You come and go as you please. People always feed and pet you. They don't expect much of you. You can play with them, and when you've had enough, you go away. You can pick and choose who you want to be around. You can't ask for more than that.
I think Martin Luther King would always keep track of collective insurgencies among poor and working people. He was concerned about the treatment of Jews in the Soviet Union, for example. He would have closely followed the Arab Spring. And certainly he would be very critical of the massive surveillance state that has emerged in America in the last five to 10 years. He would have approved of the movements trying to gain some accountability in U.S. foreign policy, such as drones being (used) on innocent people. I think he would march against drones.
Even if we never reach the stars by our own efforts, in the millions of years that lie ahead it is almost certain that the stars will come to us. Isolationism is neither a practical policy on the national or cosmic scale. And when the first contact with the outer universe is made, one would like to think that Mankind played an active and not merely a passive role-that we were the discoverers, not the discovered.
You know, I go to work in a great office every day, and the amount of freedom that goes with being a pro golfer on the tour is awesome. So I get to enjoy my weeks off away from the course, and then I get to go to work on some of the best golf courses in the world out here.
I'm screaming for help and everybody's acting as if I'm singing Ethel Merman covers.
When I was 12 years old, I was just horrible. My parents were ashamed to watch my matches. I would play on a court at the local club and they would watch from the balcony. They would scream, 'Be quiet' to me and I would scream back, 'Go and have a drink. Leave me alone.' Then we would drive home in a very quiet car. No one speaking to each other.
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