A Quote by Harold Ramis
If people offer me decent roles in good films, of course I'll take it. But I just didn't like the actor lifestyle. You end up focusing all your energy on trying to get parts you don't even want.
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I'm trying to avoid any more asshole roles, at least for a little bit. The main criteria for me when choosing a project is a good director. I just want to work with these guys that I admire because I do want to direct my own films one day, and I want to pick their brains to see what their process is like, and see what I can take from that.
I'm an actor in that I just want to create roles and characters and play parts that people remember and like or dislike or hate.
I like to be challenged as an actor, allowing myself to take up diverse roles. Even audiences get tired of watching their stars in similar roles over and over again.
I'm carrying on. I'm making the case for unity, I'm making the case of what Labour can offer to Britain, of decent housing for people, of good secure jobs for people, of trade with Europe and of course with other parts of the world. Because if we don't get the trade issue right we've got a real problem in this country.
I wanted to play characters that were going to make me better and really challenge me to raise my skill level up or that were just interesting to me personally. I want to be the best actor I can be, and I want to be the most creative actor I can be. I want to take on roles that will move the chain to where I finally want to go.
I'd definitely say I end up being more attracted to darker roles. Probably because I like darker movies and plus, just as an actor, I think it's always more fun to play the darker roles where you get to stretch your arms a little bit more. It's like therapeutic.
I get offered a lot of parts where I want to say, 'Why don't you just hire a model? Don't hire an actor.' I'm trying to convince people I'm a real actor, not some mannequin.
It's also a question of finding good material and interesting roles. I'm not the only actress out there, and good parts just don't fall into your lap that easily. But I like most of the films I've made recently and so I'm pretty positive about the future.
If you only take parts that are offered to you, you end up playing the same roles over and over again. I think it's important to keep auditioning. I think it's important to scare yourself; to take parts that are outside of your comfort zone.
To be an actor you need four things: energy, concentration, a lot of luck and, of course, good roles.
I just want to get my voice heard again and to allow people to know me outside of a group situation. I also want young girls who look up to me to know not to give up, even when people try and take you away from your destiny.
A lot of people's lives are built around a healthy lifestyle. I take really good care with what I eat, and exercise obviously has become part of your lifestyle, going to the gym, meeting with your trainer, going to yoga and all those things. As an actor, that's part of your job; it's part of our responsibility to take care of ourselves, in a way.
I don't want to think results, I don't want to think positions. I just want to come in, do my job, and we'll see where we end up. I think that's the best way to look at it, because then you start focusing on the outcome rather than focusing on the work that it takes to get to that outcome.
How long can you bank on your body and your face to help you get roles in films? At the end of the day, anyone who wants to be known as an actor wants to be appreciated for his/her work.
Patience is probably the hardest thing I've had to learn in tryin' to love a girl. My lifestyle is very fast-paced; I'm always goin' somewhere, always on stage, and when I perform I perform at a high intensity. Sometimes I carry that energy off of the stage, into my private life. Sometimes I encounter girls who want me to take my time. When you're such a fast-paced, in the fast lane kinda guy, you don't really take the time that's necessary; you're like, "I want it now! If you can't give it to me now, well then." And from that, you end up losin' a lot of great people.
I learn a lot as a director from acting in other people's films and just in general. I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer. Basically, I like to help and be involved, so anything anybody asks me to do, my first reaction is to say "Yes."
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