A Quote by Harold Ramis

I've never taken a script to the stage or to principal photography and said, "This is perfect. This is as good as it can possibly be." It's not Shakespeare, you know; you know it can probably be better.
I don't know if there is a 'lack' of good black men. But when you haven't taken the time to get to know yourself, be OK with you, and articulate what it is you want in a relationship, then you can't possibly find that person for you because you don't even know what you're looking for.
I remember a very important lesson that my father gave me when I was twelve or thirteen. He said, "You know, today I welded a perfect seam and I signed my name to it." And I said, "But, Daddy, no one's going to see it!" And he said, "Yeah, but I know it's there." So when I was working in kitchens, I did good work.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
It's easier to do Shakespeare than Spelling, and I know that sounds crazy, because the challenge of Shakespeare is living up to Shakespeare, living up to that word, not failing, you know, where with Aaron Spelling it's like, just try to look good. Or maybe don't use Spelling there, that's bad. No - you can. He's dead.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
To know whether photography is or is not an art matters little. What is important is to distinguish between good and bad photography. By good is meant that photography which accepts all the limitations inherent in photographic technique and takes advantage of the possibilities and characteristics the medium offers. By bad photography is mean that which is done, one may say, with a kind of inferiority complex, with no appreciation of what photography itself offers: but on the contrary, recurring to all sorts of imitations.
I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
We have jokingly said if you've got good hair, can sing and know three chords, you can lead worship at First Baptist Houston or wherever. But that's kind of scary, putting somebody on stage just because they have a good voice. Do they know theologically and spiritually what they're saying and why they're doing it?
You know how sometimes, your life is so perfect you’re afraid for the next moment, because it couldn’t possibly be quite as good? That’s what it felt like.
I'm a stage actor. You know, I was - I cut my teeth on stage, you know. So I've always had a love affair with the stage, first off, what I was raised in, you know.
I guess early on in my Christian walk, you know, people said to me, "Never question God" you know? But actually I just found Him to be such a good Father. He's such a good Father and He spoke to me in amazing ways that I'm sure I never would have learned some of these things on mountaintops, you know? I thought I knew how much he loved me, but then one day He asked me "What do you believe?" And I'm like, "I believe this and this and this and this" you know. I was a very good Christian in all my answers, and then he said, "No, no, what do you believe, Daughter, about how much I love you?"
"You know you are seeing such a photograph if you say to yourself, "I could have taken that picture. I've seen such a scene before, but never like that." It is the kind of photography that relies for its strengths not on special equipment or effects but on the intensity of the photographer's seeing. It is the kind of photography in which the raw materials-light, space, and shape-are arranged in a meaningful and even universal way that gives grace to ordinary objects."
It's fun to improvise, but I still think it's better to have a great script, you know, like a Charlie Kaufman script.
I know who I am. I don't have to brag. I know what I contributed. I know what I did. You think you can do it better? Hey, go right ahead. The stage is yours.
That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.
From the core, I'm a shy person, but when I'm on stage, I know how to put it aside. Of course, I'm not perfect, but I've definitely grown as far as being comfortable on stage.
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