A Quote by Harold Ramis

When you're a big enough part of the process that the Writers Guild gives you a lot of credit, that's a good thing. It tells me that I've had a significant impact on the film as a writer.
The only thing in life that really gives me any peace is just being lost in the process of creating something, whether it's the film or painting and drawing, which has been a big part of my life, for a long time.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
My creative partner is a writer, and he's got an executive producing credit on this film. We've made three films together and I would never underestimate the impact of a writer.
My Writers Guild of America card is one of my proudest possessions. I was given it after being invited to write the script for a film of my last novel, 'Me Before You,' which is being made by MGM. Whenever I look at it, I think, 'I'm a Hollywood writer!'
I think I'd rather win, for example, a Writer's Guild award than almost anything on earth. And the few nominations I've had with the guild, and the few awards I've had, represented to me a far more legitimate concrete achievement than anything.
You have to go through a big process with the Directors Guild in order to get co-direction credit. They sit you in front of this microphone in front of like 40 legendary directors, and they start grilling you.
I'm a member of the Writers Guild of America and the Writers Guild of Canada.
Actually the writer is the most important part of the filmmaking process. That's why I never hesitate in giving credit to a writer which I don't think even Hollywood does.
I went without health insurance until 'Roger & Me,' basically - from about age 20 till about age 35. With 'Roger & Me,' I joined the Directors Guild and the Writers Guild, and since then I've had excellent health care managed by the union.
Animation tends to have several different writers who serve different functions. I think, on a lot of animated features, there are a lot of writers who don't get credited. It's the policy at Disney, for instance, in deciding who gets credit. It depends on the writer's contract, so many things.
J.K. Rowling said Bellatrix's role was going to be significant in the last one, when I showed some reluctance in playing a tiny bit part. Up front, they said, 'You're very significant in the last one.' But significant could mean a lot of things. That could just mean a significant plot point. Doesn't necessarily equal big part.
In our culture the way women have been represented in American film had a pretty big impact on my self-esteem and I'm sure it did on a lot of other girls. I think they have a greater psychological impact that anybody's willing to talk about.
When I write a film, there's a particular thing I am wrestling with and the question or concern I'm dealing with has to be big enough for me to dedicate a year or two of my life. If the question isn't big enough, or rich enough, I'll lose interest.
The first thing is that we're being attacked by both the Writers Guild and the Producers Guild. Both of these groups are trying to diminish the importance and strength of the director. They're trying to do it through both frontal and side attacks.
The fact is, unlike a lot of writers, I credit the people who help me. A lot of writers out there have a ton of researchers and they don't get credited in the book.
God's given me this talent and ability and this platform. The worst thing to do is to blow that off and not give the right people credit. He deserves all the credit. My faith has been a big part of growing up into who I am and who I'm trying to become.
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