A Quote by Harold Rosenberg
Today, each artist must undertake to invent himself, a lifelong act of creation that constitutes the essential content of the artist's work.
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An artist is above all a human being, profoundly human to the core. If the artist can't feel everything that humanity feels, if the artist isn't capable of loving until he forgets himself and sacrifices himself if necessary, if he won't put down his magic brush and head the fight against the oppressor, then he isn't a great artist.
The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It's the artist's responsibility to balance mystical communication and the labor of creation.
Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists. An artist is someone who makes art too. He did not invent it. How it started — "to hell with it." It is obvious that it has no progress. The idea of space is given him to change if he can. The subject matter in the abstract is space. He fills it with an attitude. The attitude never comes from himself alone.
A small artist is content with art; a great artist is content with nothing except everything.
The artist must create a spark before he can make a fire and before art is born, the artist must be ready to be consumed by the fire of his own creation.
An essential portion of any artist’s labor is not creation so much as invocation. Part of the work cannot be made, it must be received; and we cannot have this gift except, perhaps, by supplication, by courting, by creating within ourselves that ‘begging bowl’ to which the gift is drawn.
I couldn't ever act or think on behalf of what my father [[Albert Camus]] would have said or done. He's an artist, he considers himself an artist, and so he takes on the responsibility of speaking for those who are not given the means or the opportunity.
The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
Each role demands the right actor. To play an artist, one must be an artist.
Architects, sculptors painters, we all must return to the crafts! For art is not a 'profession.' There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman.
The child is really an artist, and the artist should be like a child, but he should not stay a child. He must become an artist. That means he cannot permit himself to become sentimental or something like that. He must know what he is doing
Consider the idea of a God who is essentially sadness and longing, yearning to reveal himself, to know himself through a being who knows him, thereby depending on that being who is still himself - yet who in this sense creates Him. Here we have a vision which has never been professed outside of a few errant knights of mysticism. To profess this essential bipolarity of the divine essence is not to confuse creator and created, creature and creation. It is to experience the irrevocable solidarity between the Fravarti and its Soul, in the battle they undertake for each other`s sake.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
It seems to me that today if the artist wishes to be serious... he must once more sink himself in solitude.
When a painting is finished, it's like a new born child, and the artist himself must have time for understanding. How then do you expect an amateur to understand that which the artist dos not yet comprehend.
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