A Quote by Harold Rosenberg

No degree of dullness can safeguard a work against the determination of critics to find it fascinating. — © Harold Rosenberg
No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.
The No. 1 quote critics give me is, 'Thom, your work is irrelevant.' Now, that's a fascinating, fascinating comment. Yes, irrelevant to the little subculture, this microculture, of modern art. But here's the point: My art is relevant because it's relevant to 10 million people. That makes me the most relevant artist in this culture.
It will be remembered, that a frequent recurrence to fundamental principles is solemnly enjoined by most of the state constitutions, and particularly by our own, as a necessary safeguard against the danger of degeneracy, to which republics are liable, as well as other governments, though in a less degree than others.
If certain critics and poetasters had their way, 'Ordinary Piety' and its child, Dullness, would be the masters of poetry.
The degree of liberty or tyranny in any government is, it follows, in large degree a reflection of the relative determination of the subjects to be free and their willingness and ability to resist efforts to enslave them.
The consent of the governed" is more than a safeguard against ignorant tyrants: it is an insurance against benevolent despots as well.
I had a C-section, and I found it fascinating. I didn't find it a sacrifice, and I didn't find it a painful experience. I found it a fascinating miracle of what a body can do.
Dullness is more than a religious issue, it is a cultural issue. Our entire culture has become dull. Dullness is the absence of the light of our souls. Look around. We have lost the sparkle in our eyes, the passion in our marriages, the meaning in our work, the joy of our faith.
Critics should find meaningful work.
Critics are critics: their job is to find things wrong with people.
Work ethic and this determination is all part of escaping the depressive side. Of course I'm manic depressive, maybe not to the degree that Exley was, but I think all writers are. There are highs and lows. Look at David Foster Wallace.
It is sensible to have a safeguard against unemployment.
Humility is a safeguard against humiliation.
Dullness in matters of government is a good sign, and not a bad one - in particular, dullness in parliamentary government is a test of its excellence, an indication of its success.
A man of genius is privileged only as far as he is genius. His dullness is as insupportable as any other dullness.
One of the eternal mysteries of ballet is how untalented choreographers find backers for their work, and then find good dancers to perform in it. Is it irresistible charm? Chutzpah? Pure determination? Blackmail? Or are so many supposedly knowledgeable people just plain blind?
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