A Quote by Harold Town

Thomson's small oil sketches of the last years palpitate and throb. They are as direct in attack as a punch in the nose. — © Harold Town
Thomson's small oil sketches of the last years palpitate and throb. They are as direct in attack as a punch in the nose.
There is a direct correlation between what al Qaeda says and what it does. And the one thing that has been the gold standard of correlation has been bin Laden's 1995 - or was it 1996? - pledge that every attack is going to be more powerful than the last. If you go back to the first attack in Yemen in 1992 and chart it out, every attack has been more powerful, more destructive than the last one.
Critics who attack my wife bug me. It makes me want to pay 'em a visit so I could give 'em a good punch in the nose.
There’s no use saying anything in the schoolyard because there’s always someone with an answer and there’s nothing you can do but punch them in the nose and if you were to punch everyone who has an answer you’d be punching morning noon and night.
Some films really do take years to get going, but I'd say that most of the films I want to do are slightly smaller projects. Some could be sketches. They're not all oil paintings.
Growing up in Northern Ontario provided me with a strong affinity for the natural environment that was so eloquently responded to by Tom Thomson and his colleagues. The concept of this painting grew out of a number of forays into Algonquin over the years. From its conception I intended Algonquin to be a subtle tribute to Tom Thomson. But I also wanted it to be a response to the natural beauty that so typifies the grandeur of Ontario’s first provincial park.
At any comic book convention in America, you'll find aspiring cartoonists with dozens of complex plot ideas and armloads of character sketches. Only a small percentage ever move from those ideas and sketches to a finished book.
Are you seeing a psychiatrist?' as a conversation opener would nowadays earn you a punch in the nose, but for fifty years it was a compliment. It meant, 'One can plainly see you are sensitive, intense, and interesting, and therefore neurotic.' Only the dullest of clods trudged around without a neurosis.
Do this rubber guard stuff and I'll punch you in the nose.
I don't work from drawings and colour sketches into a final painting. Painting, I think, today - the more immediate, the more direct - the greater the possibilities of making a direct - of making a statement.
My doodles and sketches are not the work of an academic engineer. They represent many years of design study in attempts to produce the best value for money in the field of small car design.
Gas prices in many parts of the country are nearing $4 a gallon; it could get even worse as unrest spreads throughout the oil-exporting Middle East. Yet the Obama administration once again seems to see no crisis. It has curtailed new leases for offshore oil exploration for seven years and exempted thousands of acres in the West from new drilling. It will not reconsider opening up small areas of Alaska with known large oil reserves.
[Robert Smigel] is one of the greatest comedy writers in the last 50 years. "TV Funhouse" and Triumph and all those sketches.He's really unique, and he has an amazing comedy mind.
Get up now and go and find Robert Kilroy-Silk. Smile in a warm, friendly sort of way, then punch him on the nose. Now go and find Robert on television, despite my best endeavours, this is still relatively easy to do. Wait for a close-up, same smile, and punch him on the nose. If you followed the instructions carefully, you will have noticed a distinct difference. On the one hand, you were suffused with a sense of public-spirited righteousness; on the other, you're probably dribbling blood. That's the difference between reality in life and reality on television.
Some people have criticized the United States and the United States military for guarding oil fields and not guarding the Iraqi National Museum which had priceless antiquities in it. They say that this shows a fundamental lack of respect for Iraqi history. I want to remind those people of this: The oldest relics in the museum, 5,000 or 6,000 years old. That oil is 65 million years old. You had to guard that. ... Those antiquities will only last another 5,000 or 6,000 years. When we burn that oil, those fumes will linger long after.
The best way to take a punch is to look at it. Honestly. Someone could hit you with the hardest punch that they have, but as long as you see it, it's not going to knock you out. It's the punches that you don't see that knock you out. So you could get tapped with a small punch, but if you don't see it, you're out.
When I was 16 years old I led the team in scoring. I would attack, attack, attack and that is something I think you are just born with, I really do.
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