A Quote by Harold Wilson

He who rejects change is the architect of decay. — © Harold Wilson
He who rejects change is the architect of decay.
He who rejects change is the architect of decay. The only human institution which rejects progress is the cemetery.
The Tea Party is a group that rejects deep thinking, it rejects the very complex analysis that is involved in public policy, it rejects the kind of textured decision-making that Ronald Reagan prided himself on.
It wasn't an architect who did this, but if it had been an architect, it would have been a good day's work: there was a marketing person who convinced Walmart that their products sold better in daylight than electric light. It would have been interesting if an architect had deliberately designed this change with all its spatial consequences in mind, thinking about how the change would multiply across all the square footage of all the roofs of all the Walmarts in the world. It would have been a beautiful trick - a physical, practical, political pleasure.
Movement, change, light, growth and decay are the lifeblood of nature, the energies that I I try to tap through my work. I need the shock of touch, the resistance of place, materials and weather, the earth as my source. Nature is in a state of change and that change is the key to understanding. I want my art to be sensitive and alert to changes in material, season and weather. Each work grows, stays, decays. Process and decay are implicit. Transience in my work reflects what I find in nature.
There is change in all things. You yourself are subject to continual change and some decay, and this is common to the entire universe.
A spider conducts operations that resemble those of a weaver, and a bee puts to shame many an architect in the construction of her cells. But what distinguishes the worst architect from the best of bees is this, that the architect raises his structure in imagination before he erects it in reality.
The architect is very interesting because the architect is the commander, meaning the one who commands all the workers. The architect is also the music director and composer. He cannot play each instrument, but he needs to understand and embody the sense of each part.
I used to not like being called a 'woman architect.' I'm an architect, not just a woman architect. The guys used to tap me on the head and say 'you're OK for a girl.' But I see an incredible amount of need from other women for reassurance that it can be done, so I don't mind anymore.
I used to not like being called a 'woman architect': I'm an architect, not just a woman architect. Guys used to tap me on the head and say, 'You are okay for a girl.' But I see the incredible amount of need from other women for reassurance that it could be done, so I don't mind that at all.
The Oakland clubhouse is a wonderful place. A lot of these guys feel like rejects. They were rejects and they feel - they can tell you how baseball screwed up.
I am a man who perceives life in a certain way, a man who rejects things that defecate on humankind, who rejects anything that will not give people room for dissent.
What each school offers is something unique. But, there are two types of activity an architect must be educated on. First, the architect needs concentrated activities to learn the guidelines, and that is what school is for. But, second, is the public aspect of education. The architect needs to see architecture in the streets to learn.
Change and decay in all around I see.
All things are subject to decay and change.
[Mitt Romney is a] Massachusetts moderate who, in fact, is pretty good at managing the decay." He's "given no evidence in his years in Massachusetts of any ability to change the culture or change the political structure.
I'd never known of an architect as a young man. I think there was only one architect in Tucuman.
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