A Quote by Harper Lee

I've been writing as long as I've been able to form words. I never wrote with an idea of publishing anything until I began working on '[To Kill a] Mockingbird'. I think that what went before may have been a rather subconscious form of learning how to write, of training myself.
I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.
There've been times when I have existential conversations with myself, and I've thought about leaving and trying to apply my education better. But ultimately it doesn't really matter. Learning how to write, learning how to write papers and structure, that's been very helpful for writing.
You know, I think there was a point in time when people didn't really understand how birth certificates were kept in the state of Hawaii, and now, I think that it's been pretty much disclosed that they used to have a long form and now they don't have a long form. Arizona used to have a long form, we now have a short form.
I'm more interested in moving toward writing stories - thinking about the graphic novel form, and just something more long-form. I did a lot of literary translation in college. Translation is an art. But for sure writing has always been a part of how I think through my ideas.
I'm working in a form of cinema that can be described, and has been described, as a diaristic form of cinema. In other words, with material from my own life. I walk through life with my camera, and occasionally I film. I never think about scripts, never think about films, making films.
Never before have I written so long a letter. I'm afraid it is much too long to take your precious time. I can assure you that it would have been much shorter if I had been writing from a comfortable desk, but what else can one do when he is alone in a narrow jail cell, other than write long letters, think long thoughts, and pray long prayers?
I'm working on a young adult novel. I've been working on it for a while, because I don't know how to write a novel and I'm teaching myself. For that reason, I've been reading a lot of YA [young adults], which I never have before. It's totally new to me.
I believe that one reason I began writing essays - a form without a form, until you make it - was this: you didn't have to borrow from an emotionally and visually upsetting past, as one did in fiction, apparently, to write your story.
How ironic that returning to a raw and ancient form of worship is now seen as new and even cutting edge. We are simply going back to a vintage form of worship which has been around for as long as the church has been in existence.
I had a lot of time to myself, and I would listen to a lot of music, mostly music that I knew fairly well and had a relationship with. And I'd think, well, what is it that I've never been able to do that this person or people are able to do with this song? Why haven't I been able to do it, and what can they do that I wish I could do? And then I'd try to do that. I'd start each day getting into the songs, and I'd think about how I might get closer to this music that I love, but haven't been able to make before.
For me, a play is a form of writing which isn't complete until it is interpreted by actors. But it's still a form of writing. And so most of my time is spent thinking about how to write a sentence.
I think I realized it was an art form at the beginning, but it took me a really long time before I was able to view what I was performing myself as an art form.
One of the aspects of form that I have been very interested in is stasis - the concept of form which is not so directional in time, not so much climactic form, but rather form which allows time, to stand still.
I've been doing short-form writing for a decade, and six years ago I signed with an agent, and we've been working on figuring out what my book would be. I was always so embarrassed that it took me so long to figure it out, but I think, in retrospect, I just wasn't ready to write a book six years ago. I wasn't confident enough as a writer and I wasn't coherent enough in my worldview. It just took this long for me to be a mature enough writer and be ready to do it.
I believe you can never stop growing and learning and I've been very fortunate to have been working since I was 10 or 11-years-old. I have learned so much throughout the years working with amazing directors and great actors as well. This was really a huge step for me because it's very different from anything that I've done before but I think the biggest difference here is that the cast we were surrounded by in this movie was unbelievable.
Never before had I been offered a contract and advance before a word had been written... I went home and began writing 'Julie of the Wolves.'
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