A Quote by Harper Reed
The thing about Snapchat is it is ephemeral, so you don't - it's not like a video that you post to YouTube and then everyone can see it. It's this video that you get to share this kind of very intimate experience again, this very kind of genuine experience with another person in a more one-on-one sort of way. And I really appreciate that.
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Video is growing very quickly on Facebook. A lot of people compare that to YouTube. I think that kind of makes sense. YouTube isn't the only video service, but I think it's the biggest, and it probably makes more sense to compare Facebook video to YouTube rather than Netflix because that's a completely different kind of content.
For me it's all just one big online world. Everyone has a favorite social network, and some people like YouTube more than Facebook or Twitter. But I make sure that when I post a new YouTube video, I post it on Facebook, and I tweet about it.
Share shame so you are not left alone with it. If you can't find another person, get a journal. I didn't say make a video on Snapchat. It's for you, not anyone else.
I'm definitely of the 'less is more' mentality, and what I really appreciate is that fragrance is chemical, and it changes with your body throughout the day. It's a very deeply personal thing. One smell on one person isn't the same on another, and I appreciate the uniqueness of that experience.
Any kind of horror video game where I'm the first-person player and I'm... I suddenly stop caring about the video game dude, and I'm like, I really don't want him to die,' and then the minute he dies, it upsets me. I can't play those games.
I'm the kind of person, if I see something, like a funny video, I want to share it. With Twitter and Tumblr you can do that on a mass scale, and people get to know your personality.
So I get all the references and I totally get the humor and it's really fun. This - it's kind of a mash up of so many different genres and things that kind of, sort of are just part of youth culture right now. Music and action and video games, and it's kind of amazing to see it all piled into one film.
As actors, the magic is in the almost spiritual experience to really enter another world, to really enter a belief of being in another person's shoes and to really take on their experiences as someone else has written them and imagined them. It's kind of a sacred thing. It's a very spiritual experience. That in itself for me is the main thing that keeps me coming back to it. I like to travel, but for me, this is the greatest travel.
I don't just post a video and then get offline. After uploading, I love to respond to comments, tweets, and messages about the video.
Video has become much more social, and as a result, there are many opportunities to use video as a way to connect people, to give them opportunities to play and participate, to make things together and have a shared social experience. I think we are just at the beginning of really exploring what social video is and what we can make of it.
I read a ton of nonfiction. I tend to read about a lot of very extreme situations, life-or-death situations. I'm very interested in books about Arctic exploration or about doomed Apollo missions. I tend to read a lot of nonfiction that's sort of hyperbolic and visceral. And then I kind of draw on my own personal experiences and my own sort of generic life experience, and I kind of try to feed my day-to-day reality that I have with sort of high stakes reference points that I read about. They're things everyone can relate to.
I think, hands down, the number one person I would love to have in a video is Beyonce. I think the perfect video for me - I could die happy and I could never make a YouTube video again - would be to do a video called 'Bey-Oz-ce' and mix 'The Wizard of Oz' and Beyonce together because those are my two favorite things in the world.
Acting is kind of difficult to intellectualize - it's a far more visceral experience. It's really hard to be able to think about and then employ these kind of esoteric notions of this person's backstory and try to weave it in somehow. It's just kind of impossible.
It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.
The kind of improv that I'm particularly addicted to is the kind that... aims at creating a momentary, fragmentary experience that has a totality to it. It's kind of like fireworks. It's the more ephemeral of art forms - once it's gone, it's gone, baby.
Everyone feels like there's something you should do: you should make a song, do a YouTube video, get your views, put it on Spotify, tweet it, Instagram it, do it again and again and again. And I think, that's not what I'm living for. I ain't living for that.
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