A Quote by Harriet Beecher Stowe

I am one of the sort that lives by throwing stones at other people's glass houses, but I never mean to put up one for them to stone. — © Harriet Beecher Stowe
I am one of the sort that lives by throwing stones at other people's glass houses, but I never mean to put up one for them to stone.
There's a saying that goes, 'People who live in glass houses shouldn't throw stones.' OK. How about, 'Nobody should throw stones'? That's crappy behavior. My policy is, 'No stone throwing regardless of housing situation.
People have libraries at home, they have bookshelves, they have CDs. And they sort of try, people try to bring great artists into their lives, into their physical houses and sort of live with portions of them. But they're not really deeply engaging with them.
I enjoy raining on parades and throwing stones in glass homes.
I have a big problem when the sanctimonious, holier than thou congressmen and women go on national television for six hours and beat somebody up with a stick, and not because I'm 'Ms. Manners.' That's not what bothers me. People in glass houses shouldn't throw stones.
To say that there is a soul in stones simply in order to account for their production is unsatisfactory: for their production is not like the reproduction of living plants, and of animals which have senses. For all these we see reproducing their own species from their own seeds; and a stone does not do this at all. We never see stones reproduced from stones; ... because a stone seems to have no reproductive power at all.
Throwing stones is the birthright and duty of anyone subject to foreign rule. Throwing stones is an action as well as a metaphor of resistance.
What is Paris? ... Where nobody throws stones, for all live in glass houses.
Every thing thinks, but according to its complexity. If this is so, then stones also think...and this stone thinks only I stone, I stone, I stone. But perhaps it cannot even say I. It thinks: Stone, stone, stone... God enjoys being All, as this stone enjoys being almost nothing, but since it knows no other way of being, it is pleased with its own way, eternally satisfied with itself.
Can you know you can have institutions that put curbs on that in various ways, and actually what the banks, you know, they have various capital ratios and that sort of thing, but the banks got around them, I mean, they set up sieves and that sort of thing just to get more leverage. People love leverage when it's working. I mean, it's so easy to borrow money from a guy at X and put it out at X.
I asked a high school girl about unreciprocated oral sex and said, "What if guys were asking you to get them a glass of water and never offered to you a glass of water? Would you put up with that?" She burst out laughing. It never occurred to her.
I have gone up in the Pyramids and the stones are so close together you can't force a playing card between them and (they are) in perfect alignment. So those people must have had some hydraulics or something. You take 20 men, put them around a big stone, their legs would get in the way. Even if they could lift it, 20 pairs of legs hitting against each other would throw it off balance. And they would not have it in exact alignment. Not even a fraction of an inch off.
Most men would feel insulted if it were proposed to employ them in throwing stones over a wall, and then in throwing them back, merely that they might earn their wages. But many are no more worthily employed now.
I liked the Beatles but I wasn't mad on the Stones. I always thought they were a slight rip-off of Chuck Berry and some of the old blues people, and they never seemed to change. If people compare me to Jagger and the Stones I would be the one to be put down ... I've been far more progressive than any of them.
It's difficult to explain, but I just somehow feel that I never really *have* lived; that I never really will live--exist or whatever--in the sense that other people do. It drives me crazy. I was terribly aware of it all those nights waiting for you in the Ritz bar looking around at what seemed to be real grown-up lives. I just find everybody else's life surrounded by plate glass. I mean I'd like to break through it just once and actually touch one.
Even in 1971, J. Geils was into the Stones. When I heard Geils, I realized that a lot of other people hearing them had never heard the Stones.
For me, that's one of the best validations as an artist. To have a stranger come up to you and say that something you've created and put out there in the world has had some sort of impact on other people's lives.
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