One would like to be grand and heroic, if one could; but if not, why try at all? One wants to be very something, very great, very heroic; or if not that, then at least very stylish and very fashionable. It is this everlasting mediocrity that bores me.
But if it's tolerable mediocrity, and you're like, 'Well, you know it could be worse. At least I'm getting paid.' Then you wind up in a job that is slowly killing your soul and you're allowing that to happen. Comfort can be a very, very dangerous thing.
London is very fashion-forward. Everyone's very stylish, and the designers are great. It's very my style, grungy and feminine - a bit of everything.
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
I like a lot of older rock 'n' roll artists, like legends like Freddie Mercury and David Bowie. They really influenced me to be very, very androgynous and very commanding, and very very - I wouldn't say odd, but I would say eccentric.
At least I like to keep it the same. That's why I've got all the same friends. That's why I go back to Leeds as much as possible. I don't know if you know much about England, but Yorkshire is a very sobering place. In the North. It's very gritty. Old mining villages. And people don't really care about celebrities up there. And it's great. And that's why I get back there whenever I can. 'Cause it keeps me very grounded, and it keeps my life very normal, whatever that is.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
Brock Lesnar is a big challenge for me because he's a big guy: very, very strong, very, very powerful, very, very fast. I like the challenge. Brock Lesnar, for me, would be a very good fight.
But for me it's very difficult to finish music on my own. It's the fear of losing the fun. It's very easy to get a sketch of something or an idea together in a very short time, to try out something new, but to get a five minute track to play out is much harder, at least for me. When I start to construct something, it often ends in frustration.
What I need is a woman who is something, anything: either very beautiful or very kind or in the last resort very wicked; very witty or very stupid, but something.
Aaron is a very passionate, maniacal writer so the scripts really come from him, but he is very open to... y'know, we'll plan ideas and we'll certainly tussle about stuff when the script comes out. So, to a certain extent, he's very interested. If there's some problem or something that doesn't ring true, he wants to know why and he wants to correct it or fight for it.
It is very, very, very difficult for an American actor who wants a film career to be open about his sexuality. And even more difficult for a woman if she's lesbian. It`s very distressing to me that that should be the case. The film industry is very old fashioned in California.
People who have grown up in a world where this was not a concern and suddenly start hearing about climate change - it's very difficult. It's a very, very abstract concept. So we need to work on making it very educational and very, very clear, in very simple terms.
Sudheer Varma is very easy going and very confident director. He knows exactly what he wants. He has a very good vision and knows how many shots he wants for a scene. He is super fast. He gives freedom for actors to try different things. The atmosphere on the sets was never serious. We had great fun working together.
I used to be very afraid of flying. It would creep me out and make me very tense and very uncomfortable, and I would sweat or even cry. I was very, very scared of dying, but I'm not anymore. Fears need to be indulged, in order to exist. I don't have much time to indulge in any fears.
It is very difficult to be like the other guy, to be ordinary. Mediocrity takes a great deal of energy. But to be ourselves is very easy. You don't have to do a thing.
As a songwriter, I try not to be sloppy; same with the music. You can be very lean, very efficient, so you're not wasting a lot of time getting' to the point. You're saying it with as pure a word or phrase as you can. That's the part that was craft. You refine and refine and refine. Maybe that's why the songs still hang on, because they're very pure. For one thing, they're very short. "Bad Moon Rising" is like 2 minutes and 12 seconds. I would try to do everything as quickly and with as little extra as possible. It was a challenge.