A Quote by Harriet Elizabeth Prescott Spofford
A full moon is poison to some; they shut it out at every crevice, and do not suffer a ray to cross them; it has a chemical or magical effect; it sickens them. But I am never more free and royal than when the subtile celerity of its magic combinations, whatever they are, is at work.
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I say we spend some money, clean up some junkies and make them all go work for the Red Cross. You ever give blood to the Red Cross? Little paper hatted trainee kid, just sticking you full of holes. Golly, jeez, this is way harder than the deep fryer, how does this work? You get an ex-junkie in there, bap-bap, he's gonna find a vein. You're in, you're out, you got sugar cookie and you're happy!
There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard.There are not more than five primary colors, yet in combination they produce more hues than can ever been seen.There are not more than five cardinal tastes, yet combinations of them yield more flavors than can ever be tasted.
Combinations have always been the most intriguing aspect of Chess. The masters look for them, the public applauds them, the critics praise them. It is because combinations are possible that Chess is more than a lifeless mathematical exercise. They are the poetry of the game; they are to Chess what melody is to music. They represent the triumph of mind over matter
Music moves me - duh - and that is like having a window opening on a heightened reality, but the effect is fleeting: When the music ends, the magic, the uplifting, vanishes and the window slams shut. Words, on the other hand, by the nature of how they work, emotions evoked by dint of carefully laid out thoughts, have a more lingering effect.
Music is a kind of magical thing, and you can't make magic every time, but you try. Every once in a while it has that magic, and the audience knows that. I probably miss it more than I hit it, but I think that's what all musicians try for.
I love looking back at the older fights; they don't make them like they used to. Just watching Tommy Hearns, the technique in his punching, the brilliance and the combinations from the likes of Ray Leonard and 'Sugar' Ray Robinson.
Americans different in some maybe thoughts or emphasis still have the same ideas. They want a government that lets them be free, that leaves them alone, that doesn't interrupt and interfere with every aspect of their life, that lets them go to work and keep more of what they've worked hard to have.
I work independently of the director, and to some extent, that's actually a big relief to them. When I come to them in post-production, they're tired and over-budget. What can be better to them than presenting a full score totally gift-wrapped?
When did the business community in America become so sensitive? ... that we have to treat like some type of rare exotic animal - don't startle them or they'll fly away!...we need to soothe them so they can nest here and lay their magic eggs full of jobs! - WHICH NEVER HATCH BY THE WAY!!!
My children haven't read 'Winter Journal'. They have read some of my work, but I really don't foist it on them. I want them to be free to discover it in their own good time. I think reading an intimate memoir by your father - or an intimate autobiographical work, whatever we want to call this thing - you have to come at it at the right moment, so I'm certainly not foisting it upon them.
I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a part of every tribute they can't own. That Rue was more than a piece in their Games. And so am I.
I am free, no matter what rules surround me. If I find them tolerable, I tolerate them; if I find them too obnoxious, I break them. I am free because I know that I alone am morally responsible for everything I do.
Celerity is never more admired than by the negligent.
I think there are always people who, when they get the bug to play an instrument, they want to get as good as they can with it rather than just be simply adequate at it. You run into them every once in a while - some kid who wants to be the next Stevie Ray Vaughan, for whatever reason, and plays exactly like him.
With film, I always sit with people first and talk a while, and then we read or sing or whatever. I never sit behind a table. I get up; I work with them. I do everything I possibly can to not audition them. I can find out the best of them from them feeling comfortable and appreciated. I'd never let someone leave feeling not valued.
I raise quarter horses. Mine are mostly thoroughbred cross horses, a little bigger horses than some people like. I sell them or use them on the ranch. A lot of them go to the rodeo arena and some of them go to racetracks.
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