A Quote by Harriet Lerner

We commonly confuse closeness with sameness and view intimacy as the merging of two separate I's into one worldview. — © Harriet Lerner
We commonly confuse closeness with sameness and view intimacy as the merging of two separate I's into one worldview.
Intimacy is not a happy medium. It is a way of being in which the tension between distance and closeness is dissolved and a new horizon appears. Intimacy is beyond fear.
Intensity is not the same as intimacy, although we tend to confuse these two words.
After sex, men fear too much intimacy; they want to separate again. Women want to talk, to continue the merging, melting fusion into one. Postcoital conversations keep the woman's power alive. Through unconscious severance, by falling asleep, the man regains his self.
Women are more evolved biologically and emotionally, that's well known and it's obvious. But they confuse sex and the spirit; they don't separate. Men, as you know, always separate: they separate their human and dog natures.
The Divide is like two rivers merging, at the point of merging there is a great deal of activity. The sunset, it's neither dark nor light, and the sunrises are the moments of transition.
All of a sudden I understand why I like Aliki Barnstones poems so much. They remind me of the one she has studied most - shall we call her her master - Emily Dickinson. Not in the forms, not, as such, in the music, and not in the references; but in that weird intimacy, that eerie closeness, that absolute confession of soul.... In Barnstone, too, the two worlds are intensely present, and the voice moves back and forth between them. She has the rare art of distance and closeness. It gives her her fine music, her wisdom, her form. She is a fine poet.
There is a great feeling in a small venue, with the closeness of the people and the intimacy.
The greatest pleasure in translating is precisely this feeling of spiritual closeness and spiritual merging with the translated author. Moreover this spiritual relation is different with every writer.
I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas.
I now rely on a scanner, which reproduces the passages I want to cite, and then I keep my own comments on those books in a separate file so that I will never confuse the two again.
'Biblical worldview'. The term means literally a 'view of the world', a biblically informed perspective on all of reality. A worldview is like a mental map that tells you how to navigate the world effectively. It is the imprint of God's objective truth on our inner life.
There are views. And what we see in a view is not necessarily what is in the view, all that is in the view. We have to separate, to some extent, the perceiver from that which is perceived or we have to lose all distinction whatsoever.
Our daily existence requires both closeness and distance, the wholeness of self, the wholeness of intimacy.
To mature is in part to realize that while complete intimacy and omniscience and power cannot be had, self-transcendence, growth, and closeness to others are nevertheless within one's reach.
Romantic love is sexually passionate love. Romance uses sexual intimacy to create or amplify closeness and mutual fulfillment.
It is the unspecified 'you' of modern love poems that I am mostly concerned with here. At least, the addressee is commonly a lover, and the very fact that the name is withheld is offered as a guarantee of the closeness and significance of the relationship.
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