A Quote by Harriet Monroe
Surely the vogue of those twisted and contorted human figures must be as short as it is artificial.
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Within two months I made the grand slam: covers of 'American Vogue', 'Italian Vogue', 'British Vogue', and 'French Vogue'.
Progress is not an accident, not a thing within human control, but a beneficent necessity ... due to the working of a universal law. So surely must the things we call evil and immorality disappear; so surely must man become perfect.
I have shown that those who deplore Artificial Intelligence are also those who deplore the evolutionary accounts of human mentality: if human minds are non-miraculous products of evolution, then they are, in the requisite sense, artifacts, and all their powers must have an ultimately mechanical explanation. We are descended from macros and made of macros, and nothing we can do is beyond the power of huge assemblies of macros.
Always in the short story there is this sense of outlawed figures wandering about the fringes of society.... As a result there is in the short story at its most characteristic something we do not often find in the novel--an intense awareness of human loneliness.
Artificial manures lead inevitably to artificial nutrition, artificial food, artificial animals and finally to artificial men and women.
It must surely be a tribute to the resilience of the human spirit that even a small number of those men and women in the hell of the prison system survive it and hold on to their humanity.
I cut my hair short and it basically changed everything overnight. I was about 18 when I cut my hair off - the little pixie haircut. Nobody had short hair at the time. Literally overnight everything changed. I worked with Steven Meisel within a month and a half and I booked every show. Then I got a Vogue cover - my first Vogue - and that came out a few months later.
I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'
'Vogue' is a very specific world. You are 'Vogue,' or not 'Vogue.'
We must in imagination sweep off the drifted matter that clogs the surface of the ground; we must suppose all the covering of moss and heath and wood to be torn away from the sides of the mountains, and the green mantle that lies near their feet to be lifted up; we may then see the muscular integuments, and sinews, and bones of our mother Earth, and so judge of the part played by each of them during those old convulsive movements whereby her limbs were contorted and drawn up into their present posture.
Havin' fun while freedom fightin' must be one of those lunatic Texas traits we get from the water - which is known to have lithium in it - because it goes all the way back to Sam Houston, surely the most lovable, the most human, and the funniest of all the great men this country has ever produced.
The artificial heart is very effective as a bridge to transplant, but the number of people that can be saved with human hearts is limited. A perfect artificial heart could save many more patients.
I advocate as a futurist and also as a member of the Transhumanist Party, that we never let artificial intelligence completely go on its own. I just don't see why the human species needs an artificial entity, an artificial intelligence entity, that's 10,000 times smarter than us. I just don't see why that could ever be a good thing.
When 'Teen Vogue' started out, 'Teen Vogue' was an aspirational fashion magazine for fashion lovers. You know, it was the little sister to 'Vogue.' And over the years, we've realized that our mission was really to become more focused on making this an inclusive community that speaks to every kind of young person.
The dominance of short-term perspectives has led to routine decisions in the markets that sacrifice the long-term buildup of genuine value in pursuit of artificial, short-term gains.
I used to unwind the wire tags that labeled the crates of vegetables and took the fine brass and steel wires and braided and twisted them together to make bracelets, rings, and figures.
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