A Quote by Harriet Walter

I yearn to make a really good, intelligent movie before I die: I don't completely rule out the possibility, but in Hollywood, I'm not bankable. — © Harriet Walter
I yearn to make a really good, intelligent movie before I die: I don't completely rule out the possibility, but in Hollywood, I'm not bankable.
There's nothing really original. Alien was a B-movie. Five directors passed on it before me. Because I was into Heavy Metal, I read it, and thought, "Wow, I want to do this." I was on a plane to Hollywood in 22 hours. It was a B-movie and was elevated to an A-plus movie by sheer good taste.
People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.
I can tell you as a fact that if you'd asked anyone in Hollywood one year before 'Pirates of the Caribbean' had come out, they'd have told you the pirate movie was a dead genre. And it's not that it's a dead genre. If you make a bad pirate movie, no one will want to see it. If you make a good one, everyone will want to see it.
No one in Hollywood really knows what a good idea is before a movie hits the screens. We only know if it's a good idea after it's done.
That Hollywood 'LotR' movie really sucked, and was a true turn-off. That's what Hollywood always does, even to good stories.
I really do like a really good science fiction movie and a really good horror movie. Those are the kinds of things I really like. But, I mean, I'm not into sort of like slasher movies. I like a really good science fiction movie, which is hard to do. They don't make many really good ones any more.
I just want to make one really good movie a year. And when I die, to know I was honest as an artist.
Filmmakers, they tell me they want to make movies. I say, 'Good, go out, buy a $500 camera, get some friends and make a movie. Don't go to Hollywood. Stay wherever you are.'
Fear prophets and those prepared to die for the truth, for as a rule they make many others die with them, often before them, at times instead of them.
I don't know if 'Crash' is a good movie or not because I didn't set out to make a movie. Really, what I wanted to do is more of a social experiment.
The science behind Interstellar is interesting, because some of it is absolutely real astrophysics and orbital mechanics, some of it is theoretical physics, and some of it is completely Hollywood. When a science fiction movie is based on plausible science, it's really good.
Because of the success of 'Hamilton' and 'On Your Feet!' you can't hide behind the old argument of, 'It needs to be bankable, so we can't put all these people of color in the show.' We are bankable.
A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again.
Like: 'Don't walk out there with one hand in your pocket unless there's somethin' in there you're going to bring out.' You gotta commit. You've gotta go out there and improvise and you've gotta be completely unafraid to die. You've got to be able to take a chance to die. And you have to die lots. You have to die all the time.
I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
The first time I re-discovered the joy of watching an action movie was when I saw 'Die Hard.' It was a completely simple plot - a guy goes to meet his wife, and the building gets taken over by terrorists - but I was completely blown away. Great characters, and it moved along really fast.
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