A Quote by Harris Faulkner

We want eyeballs on the screen. — © Harris Faulkner
We want eyeballs on the screen.
They don't take eyeballs at the bank. Those who value stocks by eyeballs should go be ophthalmologists, not stock analysts. There is no cyberworld where reach trumps profits.
A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.
When they saw you kneeling, crying words you mean. Opening their eyeballs, eyeballs, pretending that your Al Green, Al Green.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
A large social-media presence is important because it's one of the last ways to conduct cost-effective marketing. Everything else involves buying eyeballs and ears. Social media enables a small business to earn eyeballs and ears.
I want to touch the world through my performances on screen but also off screen.
I want to have a movie where people's eyes are glued to the screen, not when they're running from the screen.
We want to see women in more power positions, not just in front of the screen but behind the screen as well.
I am not against kissing on-screen but I definitely do not want to be written about for the number of kisses I have had on screen.
I don't know if it's possible for anyone to really have that level of a voice anymore because our media is so diluted and parsed out. You know people kind of go for the news and information that they want as opposed to picking up a paper and seeing what catches their eye. It's a very stark difference and there is a few stories that end up going wide and everybody hears about them, but they're usually salacious celebrity stuff that is not about substance or it's the latest disaster and it's kind of covered in a way that is just trying to get eyeballs on the screen.
The reason I became an actress is because I wanted my acting to reflect life as it is. I want to put truth on the screen. I want real women to see real women on the screen.
CNT was a good fit for 'Nashville,' and 'Nashville' was a great fit for CNT, and so timing was right. You know, they're investing more in scripted television - the show brought a lot of more eyeballs to CNT, eyeballs that are interested in country music - so, I mean, it couldn't have been a better fit.
I had done lots of theater and I really wanted to do screen work. I said to my agent, "Look, I really want to do screen work and I want to concentrate on that now" and he said, "Well, it's going to be tough for you."
You just have to re-wire your brain when you're shifting from the stage to the screen or the silver screen or the HD flat screen.
You just have to re-wire your brain when you’re shifting from the stage to the screen, or the silver screen or the HD flat screen.
I want to be on the screen, I want to play dress up every day, I want be different people, I want to have fun, and I want to use my imagination.
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