A Quote by Harris Faulkner
I know enough to know every time a cable show beats a broadcast show... you've attracted people outside the scope of what you normally reach.
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It's really helped a ton in the sense that we get to reach people who don't normally know our music. At least once a night at a show someone will come up to the merch table after the show and say they've never heard of me but they saw me on Troubadour, TX, and it reminds me that I'm not Elvis and anything I can do to get my name out there is beneficial in every way.
Look at every show on television; it's derivative of another show that came before it. It was only a matter of time. So all you 'Mentalist' fans, it's okay to like the show, but don't be in denial of where it came from. Friday nights, U.S.A., basic cable-style baby.
I've appeared three times on 'The Good Wife.' I'm proud of being associated with the show. 'Time' magazine called it 'the best thing on TV outside cable.' Did I mention that I also appear on cable?
I can be. I do not normally try to be. In fact, there have been some reviews - which I've loved - that said I didn't
try to sell my show on sex, that I sang my show. On the other hand, I know I'm cute. I can dance. I don't have a
bad figure. I know exactly what I am. I'm certainly no great beauty. I know exactly how far I can go.
I actually do enjoy the Kardashians' show, and I know that other people do enjoy it, but at the same time, they want to make fun of it. Like, I know that girls are watching that show - I'm just the only one courageous enough to say it. Other people are courageous in acts of war, but I'm courageous in my love for the Kardashians.
There's always some pressure to achieve something. You make a pilot, but you don't know if you're going to get a show. And then, you make a show, but you don't know if people are going to watch. And then, people watch, but you don't know if enough people are watching.
It's a combination, I think they want to know - it's for every show, which is I think networks want to know that you have a vision for where the show could go to make sure that it really is a show, that it's not just a one-off forty minute pilot, that it's an actual series.
Daniel Radcliffe was actually a fan of the show and excited to be on it. Some of it is we've gone long enough that we're legitimate. Even if they don't know the show, they know we are a show and not some weird thing that's going to go away. Also, the more celebrities we get on BoJack show, the more it feels like a club to be in: "If Naomi Watts will make a fool of herself, I guess I can make a fool of myself, too."
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
Sometimes you can just tell there's something unique about it, but you can never really truly tell until you show it to a third party - you show it to you friends, or you show it to people you know that know about music like my label or those kinda people.
My first show was called 'I Know I've Been Changed' in '92. I tried to do this show for years and years. It kept failing over and over and over again. Every time I went out to do the show, nobody showed up. I was like, 'What is this about?'
Movie is a near art form. It's showbiz and people want to make money. And generally people are financing things because they think it will make money whether it's a cable news show, a cable show, or a feature film, or whatever it is. So that's the part of it that drives it, I think, is really the dollar.
The cable operators are paying to show content. The most important content you have is the broadcast stations. They take the position that over the air is free to people, so it should be free to them.
When people do love our show [Heroes] and they put on the costumes, they know everything about our characters. And it is overwhelming at the same time. But you know, it's something that we're grateful and that's the reason why our show's continued to succeed.
I've always liked the Muppets. I watched 'The Muppet Show' in England every week as a child. The show was originally broadcast in England.
I love every aspect of the show. I've been very involved. It was important for me to be very involved in, you know, all of the creative elements. And so, you know, it - David, you know, being brought onto the show, you know, that - I always just wanted to make sure that we maintained the sophistication and intelligence of (the) - and the comedy that we were able to establish in the mini-series.
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