What I think is really great about this movie [42], that young people who weren't there will have a chance to have the visceral experience of what Jackie Robinson went through.
I've done radio interviews about this movie [42]. I feel I'm a part of this movie, since I knew Jackie Robinson. I was at his first game.
We met in an airport in Las Vegas, Harrison Ford and I, and he said, "I just finished a movie called 42. I play Branch Rickey. There's this kid in it playing Jackie Robinson. I think it's a pretty good movie."
There is an incredible film, 42. It's the incredible story of Jackie Robinson. I have extolled the virtues of this movie to everyone I meet. I've given quotes to everyone I talk to.
It's not every day you get to be in a movie about Jackie Robinson, so you want to do it as right as you can.
If I was the Jackie Robinson of golf, I sure didn't do a very good job of it. Jackie was followed by hundreds of great black ballplayers who have transformed their sport... But there are hardly any black kids coming up through the ranks of golf today.
I was being thrown to the wolves. Even though I did something great, nobody wanted to be a part of it. I was so isolated. I couldn't share it. For many years, even after Jackie Robinson, baseball was so segregated, really. You just didn't expect us to have a chance to do anything. Baseball was meant for the lily-white.
For many years, even after Jackie Robinson, baseball was so segregated, really. You just didn't expect us to have a chance to do anything. Baseball was meant for the lily-white.
One of my favorite Tarantino films is 'Jackie Brown,' and 'Jackie Brown' does it so well, where I'm watching the back half of that movie, and I don't know which side Jackie Brown is playing. I think it's really ingenious for Tarantino to keep us in the dark on that.
I knew that there was an aspect to this story that was beyond the typical and that it was something very important about America, about our culture, and about bringing a story to a new generation that perhaps didn't know the details of it, (and) hadn't had the visceral experience that this film is [42].
I just think that sports movies have such a built-in visceral, rooting interest, an epic win or lose redemptive quality. When they get it right, it can make for a really rousing movie experience.
I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
I think the war movie genre is a very important genre in film. Film gives you a visceral experience of something that you would never otherwise experience. To give the audience a real feeling of what maybe a certain kind of warfare would be like I thought was great.
The visceral experience of seeing a movie in three dimensions, coming at you in the theater, is obviously here to stay, because it is a unique experience. I think that kind of format is only appropriate for some genres, but I'm all for it.
To be compared to Jackie Robinson is an enormous compliment, but I don't think it's necessarily deserved.
Jackie was speaking at a drugstore, and I said, 'I'm not going to get this opportunity again, so I better take my chances and listen to Jackie Robinson now.' Little did I know, I got front row seats, and next to me was my father.
When you're 16, you think 28 is so old! And then you get to 28 and it's fabulous. You think, then, what about 42? Ugh! And then 42 is great. As you reach each age, you gain the understanding you need to deal with it and enjoy it.