A Quote by Harrison Ford

Sometimes I try to improve the language, the lines, or the delivery, but I don't ad-lib because I think that makes it really hard for everybody else involved.
I'm not an ad-libber. If I'm asked to ad-lib, I can ad-lib forever and it's really fun to do that, but I find that well-written scripts are put together very carefully. Once you start to ad-lib and add words to sentences, there's a slacking that happens. When it's good writing, it's taut. I'm not judging people who do ad-lib.
Generally, there's a lot of ad-lib involved with live TV and things like that, whereas with acting in front of the camera, it was, if you screwed up a line, well, you've got another take, and you also had a script to be able to study, so it wasn't all ad-lib and flying by the seat of your pants, which I like both aspects, actually.
If I know I have to memorize lines, I'm really gonna try to memorize lines. It's hard for me sometimes, because somebody wrote these words and you're trying really hard to get them the way they said it.
I ad lib most of my dialogue. If I did remember my lines, it would be too bad for me.
The English language is rather like a monster accordion, stretchable at the whim of the editor, compressible ad lib.
Honestly, I think we in the WWE are very underrated as performers. What we do would be very difficult for even an experienced actor. To go out and sometimes have 15 minutes of verbiage, sometimes have to ad-lib and then, of course, have other variables such as the interaction with the audience, it can be challenging.
Coming out of 'Shrill,' depending on who's directing, they'll let you ad lib sometimes, you can pitch ideas if you have them.
I'm a guy that tries to eat right. I try to keep my body right. I try to do all the right things. But like everybody else, I have flaws. I slip up. I eat the wrong things sometimes. I have cheat days. I think I make mistakes just like everybody else, but I try to minimize them.
I'm not even really a joke-teller. I can do ad-lib and banter, but I don't do jokes.
Everybody always laughs because I feel so much more comfortable with, like, a giant paper bag on my whole body and paint on my face. Sometimes I try really hard to take it all off. But inevitably what's underneath is still not a straight edge. And I don't think it ever will be.
Sometimes I think you have to try to do things that people don't think are doable. I remember at the very beginning actually, the first person I had to convince was myself really because there's a self-censorship. When everybody says 'we don't do silent movies anymore,' you agree with everybody, and you say 'yeah, you're right.' It was a fantasy.
I don't know why people think I'm this ad-lib dude.
It's hard to describe one's own alchemy that makes one into a writer, but I definitely think American language is so interesting, and specifically Southern language and black Southern language; it's hard to separate Southern language from black language.
Sometimes people think of actors as marionettes - everybody else makes the decisions for us - and, you know, really, making this decision [of which roles to take] is the only thing you lay claim to.
No one could ad lib like Peter. You would think that it was all scripted, he was so poetic, but it wasn't.
It's really hard to see yourself and to recognize that you are a human being like everybody else. You just think everybody's judging you.
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