A Quote by Harrison Ford

I rarely play a real person, because I don't think I'm a good imitator. — © Harrison Ford
I rarely play a real person, because I don't think I'm a good imitator.
I think mostly music just felt good because my parents gave me a real good childhood so I was rarely sad.
The person is a mystery. What I'm playing is the person so I really get to tell you and show you and communicate to you who I think the real person is and that real person is me. The most important thing is to play the human being you are creating, which is my job.
I was brought up not to be selfish or self-centered. So if you play somebody who isn't so lovable, you can play that person and no one will turn on you. I don't want to play that person in real life. Because then people won't like me so much.
There is a sense of responsibility when you play a real-life character because there are people who will see your work, make comparisons, and judge you. They have all the rights to do that because they know the real person. They might have seen that person also.
I think the person I learnt the most from as a coach was Cruyff because he was always talking about tactics - how to play, where to play and when to play. I think that helps a lot of young players, which is good. He was the most important trainer for me.
To me it is harder to play a real person, but when you do it and you feel good about it and the person feels good about it, I think that's doubly rewarding. So the challenge is greater, the risk is greater, but the reward is greater as well.
The imitator dooms himself to hopeless mediocrity. The inventor did it because it was natural to him, and so in him it has a charm. In the imitator something else is natural, and he bereaves himself of his own beauty, to come short of another man's.
I like to play people that are real, a real person, and then something that's interesting with that person. I think it's a lot more challenging to do that than something that's extremely fantasy-like.
I don't care more about '13' because it's in the Olivier than I did about 'Cock' in a 100-seat studio. They both matter because it's still a person sat there watching your play. And the play has to be good enough - because there are a hundred other writers out there who deserve to have their play on instead.
I think that fame only goes to your head if you are not a real artist. If you are a real artist and a good person who loves what they are doing, you are going to be the same person.
This is the rule of most perfect Christianity, its most exact definition, its highest point, namely, the seeking of the common good ... for nothing can so make a person an imitator of Christ as caring for neighbors.
I think I'm a real good person off the field. I've got good character traits, I go to Church often, and I do community service. I think I'm a really good role model.
I affirm that gain is precisely that which comes oftener to the bad man than to the good; for illegitimate gains never come to the good at all, because they reject them. And lawful gains rarely come to the good, because, since much anxious care is needful thereto, and the anxious care of the good man is directed to weightier matters, rarely does the good man give sufficient attention thereto. Wherefore it is clear that in every way the advent of these riches is iniquitous.
People say I play real loud. I don't, actually. I'm recorded loud and a lot of that is because we have good engineers. Mick knows what a good drum sound is as well, so that's part of the illusion really. I can't play loud.
If a person feels terrible, it usually should not be shown or acknowledged during a greeting exchange. Instead, the unhappy person is expected to conceal negative feelings, putting on a polite smile to accompany the “Just fine, thank you, and how are you?” reply to the “How are you today?” The true feelings will probably go undetected, not because the smile is such a good mask but because in polite exchanges people rarely care how the other person actually feels.
Life isn't happily ever after... It's work. The person you love is rarely worthy of how big your love is. Because no one is worthy of that and maybe no one deserves that burden of it, either. You'll be let down. You'll be disappointed and have your trust broken and have a lot of real sucky days. You lose more than you win. You hate the person you love as much as you love him. But you roll up your sleeves and work - at everything - because that's what growing older is.
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