A Quote by Harry Benson
It takes a while for a photograph to mature. That sounds really pretentious, but it takes a time for it to go from here to there.
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The superficiality of many is a result of deep fears. It takes spare time to think things out; it takes free time to mature. People in a hurry may not think well or mature well. The next best is a state of perpetual puerility.
When you have kids and you're married...you know, life takes its toll on you after a while, and then you're just not as creative, you're not as motivated... And it takes a special person when it's time to dig down and do a record, to really go in there and pour out whatever it is you got in you to put on a record, and that's what we did.
Later works are better because it takes a lot of time in architecture to mature. And, it takes a lot of discipline to experience everything that is changing around you.
Sometimes there's something that you need a few takes to get it and if it takes 15 takes, it takes 15 takes. It really depends.
Nobody sees a flower really,it is so small. We haven't time,and to see takes time- like to have a friend takes time. One of the greatest problems of our time is that many are schooled, but few are educated.
Nobody sees a flower really; it is so small. We haven't time, and to see takes time - like to have a friend takes time.
I honestly think, rebounding, it takes a couple of things to be a good rebounder... It takes motor. It takes effort. It takes a lot of things. It takes game reps.
It takes time to build a corporate work of art. It takes time to build a life. And it takes time to develop and grow. So give yourself, your enterprise, and your family the time they deserve and the time they require.
It is important to realize that the process of 'fostering' a passion takes trial and error. It takes experience; you cannot do it all in your head. And it takes a long time.
Better is possible. It does not take genius. It takes diligence. It takes moral clarity. It takes ingenuity. And above all, it takes a willingness to try.
Without sounding too pretentious, I was sort of a slave to the narrative. When the narrative cracks in, I have to go where it takes me. I had to go to the Bohemian Grove. It was the obvious end to the book.
Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.
Also for me, I don't make endless movies back to back all the time, I really sort of come to understand and love the characters that I play. And with April and Hanna you sort of go through a weird period of feeling sad about letting them go. Sometimes that takes me a week and sometimes it takes me a couple of months, just so that I can feel I can realign my own thoughts again. I do feel really, really blessed that I've had these opportunities.
One of the magical things about photography is the transformation that takes place when you photograph something. Something that inherently has very little going for it in terms of the interest you take in it, can become infinitely more interesting when rendered as a photograph. It's no longer a building. It's a photograph.
The men that will change the colleges and seminaries here represented are the men that will spend the most time alone with God... It takes time for the fires to burn. It takes time for God to draw near and for us to know that He is there. It takes time to assimilate His truth.
It's quite pretentious, really, isn't it? The notion the audience is going to be interested in you for an hour and a half. Think too much about that and anxiety takes over.
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