A Quote by Harry Bertoia

I appreciate a slight yield, lightness of weight, some motion if possible, because in moving about, the human body determines... the comfort and the measurements of its environment... the human measure is still the strongest factor. But coming back to the chair, there are certain motions we go through - we like to lean back, like to toss things - and if the chair's adaptable it responds and it's almost like wearing a comfortable coat; you really don't know you have it on.
You know when you're sitting on a chair and you lean back so you're just on two legs and you lean too far so you almost fall over but at the last second you catch yourself? I feel like that all the time.
Chair or no chair: a binary relation. But the vicissitudes of moving the body around are infinite. You never know what a person in a chair can do.
I had something called the back of the chair test. Where I sit, we don't sit like you and I do. I can see a sliver right behind them and they come out and they sit like this like god students and they don't touch the back of the chair.
Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being... You should not paint the chair, but only what someone has felt about it.
When I was a kid, all I knew was that I felt more comfortable sitting in one chair than in another. And now I realize it was because one chair was older. I still respond directly to the age of things.
If you build your own chair, there is a lot of things that happen. You could probably buy a nice chair for less money than a chair that you built yourself, and it might even look better, but if you build that chair, you're going to take care of it and maintain it because it's your chair. If it breaks, you know how to fix it.
Style is about the choices you make to create the aspects of civilization that you wish to uphold. I will buy a chair for my house. What style of chair are you gonna buy? Everything we look at and choose is some way of expressing how we want to be perceived. I mean, why bother choosing a chair because it looks a certain way? Because there's gonna be something about that chair that says something about you.
If you have it, it is for life. It is a disease for which there is no cure. You will go on riding even after they have to haul you on a comfortable wise old cob, with feet like inverted buckets and a back like a fireside chair... when I can't ride anymore, I shall still keep horses as long as I can hobble about with a bucket and a wheelbarrow. When I can't hobble, I shall roll my wheelchair out to the fence of the field where my horses graze, and watch them.
I reached a point towards the end on the old heart where I had trouble getting out of a chair. All I wanted to do was get out of bed in the morning and walk to my office and sit back down in the chair. Now I throw 50 pound bags of horse feed in the back of my pickup truck and I don't even think about it. I'm back doing those things.
I think that there is a middle-class desire, and maybe an almost universal desire, among many human beings to live in clean neighborhoods, among people like themselves, around people with whom they feel comfortable. That can be exclusive, it could be exclusionary. It could be racist, classist, genocidal, and so on. Most people like comfort. Now what provides a sense of comfort varies. I do think that people who like living in cities like small-scale human interaction and they like the social dimensions of aesthetic diversity that Jane Jacobs wrote about.
He whipped the chair around and actually split one of the things in half with the impact, spilling the spray of blood that was reflective, like mercury. John bellowed, "Anyone else want to donate blood to chair-ity?" He ducked into the the door and bashed one monster right in the wig, screaming, "There's some dessert! With a chair-y on top!
I like working with directors because I'm really opinionated about what things work and may not work, what audiences like and may not like, (not really) but I do have opinions about things. I like to be able to say them and then have them acted on. The director who responds to me like that, always gets my appreciation. I do appreciate it. What I find is the best directors, no matter what kind of name they have, are like that.
Every human being in this world is interested in certain things. Everybody has a hobby. Some people like art; I know nothing about it. Some people like books, some people like fishing, some people like music. I like to look at cars.
In our house, my dad had a chair. It was a Barcalounger, big and comfortable. If we missed him or wanted comfort when he wasn't home, we'd just climb into the chair and let it envelop us.
The reason you keep on coming back to see me is very simple; every time you have seen me your body has learned certain things, even against your desire. And finally your body now needs to come back to me to learn more. Let's say that your body knows that it is going to die, even though you never think about it. So I've been telling your body that I too am going to die and before I do I would like to show our body certain things, things which you cannot give to your body yourself... So let's say then that your body returns to me because I am its friend
Why bother choosing a certain chair? Because that chair says something about you.
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