A Quote by Harry Callahan

I think nearly every artist continually wants to reach the edge of nothingness - the point where you can’t go any further. — © Harry Callahan
I think nearly every artist continually wants to reach the edge of nothingness - the point where you can’t go any further.
In the end, I feel that one has to have a bit of neurosis to go on being an artist. A balanced human seldom produces art. It's that imbalance which impels us. I often think that all I want to do now is to avoid suicide, accidental or otherwise. Other than that, I think living on the edge is what drives my work and me beyond a certain point. The artist lives with anxiety. When you finally reach a plateau of achievement, there comes a new anxiety - the hunger to push on still further. That angst is what makes you go forward.
There is always a better choice that you were unable to quite touch with a single stroke. Even in acting, there comes a point, like a painting, where you have to say, "That's it. I can't go any further with it." And sometimes, you say, "I'm really pleased that that's where it's finished up." Other times, you think, "I don't think I really quite got there, but I haven't got time to go any further." Rather reluctantly, you have to say "That's it."
I think you have a responsibility as an artist to continually reach a hand out and try and inspire people.
There is nothing harder for an Artist than to retain his Artistic integrity in the tomb of success. A tomb, nevertheless, which nearly every Artist: whether he admits it or not; naturally wants to get into.
The real risks for any artist are taken in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over it -when they endanger the artist by reason of what he has, or has not, artistically dared.
Any artist, in any field, wants to press deeper, to discover further. Image and sound play are among the strongest colors available to poetry's palette. For a long time, I've wanted to invite in more strangeness, more freedom of imagination. Yet music, seeing, and meaning are also cohering disciplines. They can be stretched, and that is part of poetry's helium pleasure. But not to the point of breaking.
I think every artist wants to create something, on their own, without any boundaries.
Don't think the purpose of meditation is to go deep into consciousness, wrap a blanket around yourself, and say, 'How cozy! I'm going to curl up in here by myself; let the world burn.' Not at all. We go deep into meditation so that we can reach out further and further to the world outside.
I think any artist wants their artist to be seen and appreciated and enjoyed by as many people as possible.
The unconscious wants to flow into consciousness in order to reach the light, but at the same time it continually thwarts itself, because it would rather remain unconscious. That is to say, God wants to become man, but not quite.
I am not interested in repetition. I don't want to reach the point from where I wouldn't know how to go further. It's good to set limits for oneself, but there comes a moment when we must destroy what we have constructed.
I think it's what any artist would want: to feel like their work can be taken in on a level of experience beyond the headline or the press release. I don't think any artist wants to be reduced to a press release. We have a whole industry whose function it is to process and present information. There's nothing wrong with it, but it's not the thing.
The goal in any God-centered relationship should be to continually point the other person towards Christ, not continually draw attention towards you.
Every kid wants to reach their goals in life and be the best. During my Bruce Lee phase, I wanted to be the best martial artist in the world.
Alone, I often fall down into nothingness. I must push my foot stealthily lest I should fall off the edge of the world into nothingness. I have to bang my head against some hard door to call myself back to the body.
I think as much as possible, an artist, if he has any kind of social or political concern, has to…expose as much as possible what he sees so that some people think about things that they don’t normally think about… [Art] should be something that liberates the soul, provokes the imagination and encourages people to go further.
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