A Quote by Harry Callahan
I guess I've shot about 40,000 negatives and of these I have about 800 pictures I like.
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Did you hear about the woman who sent out 40,000 Valentine Cards doused in perfume and signed, "Guess Who?" She's a divorce lawyer.
My salary for 'Splash' was $350,000. I got about $800,000 for 'Summer Rental.' So, yes, I thought, 'Well, here's a chance to get some furniture for the house and some clothes for the kids.'
There's something magical still about it when I get in a darkroom, and you've shot a roll of film and you develop it and you look at your negatives, and there's like imagery there. That always stuns me.
There's something magical still about it when I get in a darkroom, and you've shot a roll of film and you develop it and you look at your negatives, and there's, like, imagery there. That always stuns me.
I thought, you know, I can sit at home in my La-Z-Boy, on Facebook, and reach more people than I can on a tour. Because I reach 30,000 to 40,000 people for every Facebook post, some even reach 50,000 to 60,000. And I thought, if it's about reaching people, and not about making money, why bother touring?
There's this thing that publishes pictures of people out and about. So when I go out, I do see pictures of myself. I don't know where those pictures come from - I mean, I don't see the cameras. But I guess I'm just not looking for them.
Playing for Boston Bulldogs in front of 700 to 800 fans was obviously different from playing for Liverpool in front of the Kop and 40,000 passionate Reds.
We have published about 800,000 documents of various kinds that relate to Russia. Most of those are critical; and a great many books have come out of our publications about Russia, most of which are critical.
Gian Luigi Polidoro and his girlfriend had written this script, it was an American comedy, and they decided I was the guy to play the part. I was young, they offered me the lead in the film, and I said, "Sure, I'll do it." And I'm telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits. We would literally grab a shot and run. But Rent Control... I think the total cost was $100,000, and to this director's credit, I think it looks like $200,000.
I just make what I like - warm and human stories, ones about historic characters and events, and about animals. If there is a secret, I guess it's that I never make the pictures too childish, but always try to get in a little satire of adult foibles.
The summer of 1991, I took $2,000 of my savings and a desktop program, and I asked my friends to write 800 words about something they cared about. I got eight or nine articles and put them together. It was no frills, black and white, no graphics. I printed them out and just dumped piles around D.C.
I signed a $150,000 contract with TNA Wrestling for a year. I ended up 8 appearances for 40 minutes. Then I signed a second contract and they didn't use me. So, I'd like to thank them for $300,000 for 40 minutes' worth of work.
During my 18 years I came to bat almost 10,000 times. I struck out about 1,700 times and walked maybe 1,800 times. You figure a ballplayer will average about 500 at-bats a season. That means I played 7 years without ever hitting the ball.
I don't like to guess. Just react. Some guys are guess hitters. I just could never do it. If you guess and guess wrong, you have no shot of hitting anything else.
When you think about flying, it's nuts really. Here you are at about 40,000 feet, screaming along at 700 miles an hour and you're sitting there drinking Diet Pepsi and eating peanuts. It just doesn't make any sense.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
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