A Quote by Harry Callahan

The photographs that excite me are photographs that say something in a new manner; not for the sake of being different but ones that are different because the individual is different and the individual expresses himself.
My photographs are proof of what happened. When I go to Russia, sometimes I meet ex-soldiers... They say, 'We came to liberate you....' I say: 'Listen, I think it was quite different. I saw people being killed.' They say: 'No. We never... no shooting. No. No.' So I can show them my Prague 1968 photographs and say, 'Listen, these are my pictures. I was there.' And they have to believe me.
... my father loved to take photographs of me. When I was nine I made my own costumes for a school play and I experienced becoming different characters. I loved to document myself as different images and I think my work evolved after this favorite activity. The photographs I exhibited in New York juxtaposed reality and fantasy. There was everyday life and fantasy was dismantling that reality.
I was out in California over the holidays and I was working with some photographs I took out there just now, actually, which were all different photographs of the sunset. They're really interesting because El Niño has changed the cloud configuration, not only the sea, but also the whole makeup of the clouds, the sunset, and the different gradations of color and tonality. So it'll be interesting to work with that.
The key to me is being different not for the sake of being different, but being the most authentic version of what you do. And definitely it takes a willingness to be different, because there was resistance for me early on, and I feel like that's usually the case when there's a certain paradigm or trend happening, and you step outside of that.
Because each photograph is only a fragment, its moral and emotional weight depends on where it is inserted. A photograph changes according to the context in which it is seen: thus Smith's Minamata photographs will seem different on a contact sheet, in a gallery, in a political demonstration, in a police file, in a photographic magazine, in a book, on a living-room wall. Each o these situations suggest a different use for the photographs but none can secure their meaning.
Because we see reality in different ways, we must understand that we are looking at different truths rather than the truth and that, therefore, all photographs lie in one way or another.
Because of the tax on being different, individual actors in the labour market from different backgrounds can rationally value the same opportunities differently.
There are only individual people, different individual people, with their own individual lives. Using one of these people for the benefit of others uses him and benefits the others. Nothing more. What happens is that something is done to him for the sake of others. Talk of an overall social good covers this up.
We won't be different for different's sake. Different is easy... make it pink and fluffy! Better is harder. Making something different often has a marketing and corporate agenda.
You meet a lot of people in New York who are different than you and have different stories, so I see everyone as super individual. I feel like I can be infinitely inspired because New York is huge.
Freedom is necessary for two reasons. It's necessary for the individual, because the individual, no matter how good the society is, every individual has hopes, fears, ambitions, creative urges, that transcend the purposes of his society. Therefore we have a long history of freedom, where people try to extricate themselves from tyranny for the sake of art, for the sake of science, for the sake of religion, for the sake of the conscience of the individual - this freedom is necessary for the individual.
You meet a lot of people in New York who are different than you, and have different stories, so I see everyone as super individual.
Actually, as cancers develop in an individual patient, an individual cancer cell might be different - a little bit different - from the cell that's sitting right next to it. And so there's heterogeneity, we call it. It makes the problem that much harder.
It's different for each individual. It's different when you talk about homosexuality. It's different when you talk about a malady like deafness. Everybody might have a different response to that and that's what makes it an interesting subject to throw in a movie.
But being able to talk to so many patients from so many walks of life gives a tremendous window into people's lives. This is not to say I want to write about individual patients, but I think that after listening to the concerns of people who are so different from me, I can more realistically portray characters who are so different from me.
Making photographs can be a way for me to bring something up and into consciousness, something either shared or individual.
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