A Quote by Harry Connick, Jr.
The reasons I never set out to do a talk show is they're formulaic. People come out, tell jokes and read questions. But that's not what I do, and we built the show around my skill set.
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I've always wanted to do a segment on a talk show. Jay Leno has been such a good friend, and if he would allow me, I'd have to get it all together, but I'd like to go on 'The Tonight Show' and do a set with no props. Or come out with a trunk and never touch it. Or come out with a clear trunk with nothing in it.
If I had a million dollars, I just wouldn't just completely set back. I'd have to get out there and show my face to all these good people who like me, I have to get out there and show my face. The only thing that would set me back if I get sick or something or pass away, that's all you can do about that you know. But as long as I got my health goin' pretty good, I'll show up around here.
Mike and I like a balance of tones. We never set out to make an overtly silly show or an overly serious dramatic show.
It's fun because I really do love meeting new people. Comedy can be so different from show to show and from writer to writer and actor to actor. People don't set out to make a bad show.
Sitting around with funny people, banging out jokes and creating a television show. I have no hobbies, no outside interests. I'm fine with spending 14 hours a day putting a show together with tape and string.
I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.
I never set out to do a sketch show.
I never set out to make any statements about a specific character, I just set out to tell what feels like is a truthful story, a person that you and I might truly encounter.
There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring.
I set out to tell my story, which is based on my family. Dr. Cosby told his story in 'The Cosby Show.' The comparisons stop there in terms of my creation of the show. We just both happen to have black fathers at the center of it.
I was this role model for heavy people. But the thing is, I never set out to be a role model at all, and I don't set out to be one now. I won't preach to anyone and tell them how to lose weight. I don't know any better than the next person.
I never set out to write literature; I set out to tell stories. And some of my work may be very raunchy and very bloodthirsty - but life, for me, is a violent thing.
When you audition for something, and you book it, you think, 'Okay, well, I got the job, and now I actually have to show up on set and do it.' So, you show up on set, and you don't know, 'Am I going to get swallowed up by these people?'
I love to hang out and talk to people on set, especially when I start a new job to get to know them. I like to learn things from the crew so I sit around and ask them technical questions, when I think of them.
They put me in an office with the TV set up and said "Here's the tape. When you're finished writing your copy for the little trailer you're going to do, you'll come out and show it to us and we set you up to go edit it." I turned it on and it was just this hardcore film and I was like, "Oh my God, I've fallen down the rabbit hole."
It's interesting: I went 25 years without watching a single television show. I was one of those people, because I was so inside how a television show was made, if I would turn on somebody else's show, I would sit there and analyze it, like, 'Oh, so they had four hours in this location and had to get out and the number of set-ups, etc.'
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