A Quote by Harry Connick, Jr.
Before I had kids I'd go out on the road for months and months at a time, but now I don't think I'd want to do that anymore, because I'd miss too much time at home, so it's just a matter of monitoring how much work that I do and how much time I'm on the road.
Related Quotes
I'm a better musician now, and I rarely practice because age has taught me the value of economy. And I think I'm a better writer now because I don't waste as much time, dilly-dallying and sassafrassin' and sloop and sloppin' and frying eggs. When you start writing, half the time you're just saying howdy to the page. My process now is a little more lean and muscular. I don't waste a lot of time. When I had kids, I learned how much time I had before, and how much time you actually need to do something. If you don't have time, you'll just do it and get it done.
I do road gigs occasionally but I don't want to go out on the road for months at a time.
I don't like being away from home. That's one reason why I don't work as much as I used to [when I started my career], because so many things are on the road. I just don't want to be away from my husband, my dogs and my home. I don't sing that much any more because that also takes you on the road.
A watch can only tell us how much time it is, how much time has passed, or how much time must still pass before something will occur. These statements are related not to time itself but only to its measurement or calculation.
My wife loves me but she don't like me. I'm still in the trenches every day. I'm still buildin' my name, and it's growin' rapidly, but not fast enough to where I can relax at home with my kids and my wife. I'm always on the road, 3 months at a time, 6 months at a time.
I wouldn't mind the early autumn if you came home today I'd tell you how much I miss you and know I'd be okay. It's funny how we never know exactly how our life will go It's funny how a dream can fade with the break of day. Time can't erase the memory and time can't bring you home Last Summer was a part of me and now a part is gone. —Margaret
How much time have you invested in thinking about strategy? How many options have you considered before the plan was written? How have you ensured that the thinking behind the plan is challenged? How much time do you spend exploring trends, possibilities and cool stuff? How much time is spent playing with ideas, hopes and dreams?
Often, you don't want to know too much, because it does affect your performance. When you're shooting a series for nine months out of the year, you don't want to anticipate too much, because you're going to work and you have to enjoy this thing too.
I'm trying to conduct only five months a year, and the rest will be composing time. I'm trying to spend as much as I can out of those months here in L.A., because for creative work, this is a fantastic place.
I spend too much time away from home. I love travelling, but we can be away for as much as four months during the winter.
I think it's because if I have the time I take the time to sign every autograph I can after a show. I'll go out of my way when a lot of other guys wouldn't do this. Things like that create so much longevity in your career because that guy or girl you met that night will go home and talk about how cool Jeff Hardy was that night and then that makes their friends want to come out to the show next time you're in town.
We moved around a lot at first as a kid, and then I was on the road at 17, and new in town by the time I got to LA, and then famous again with that whirlwind. I did really want substance in my life, and when I stopped with the road for my children, it was really because I didn't want to miss out. It wasn't just selflessness. I didn't want to miss out on that.
It's hard no to work, so I find a way to put myself back to work. And I think it's important, in between projects, for me to sit down with who I've just become and allow her to continue to evolve and find a home inside me before I go and become somebody else. But I think I also need to learn to relax and not prepare too much, just enjoy life. I notice that my characters go out to dinner and have fun and take these great trips, but I spend so much time on their lives, I don't have much of a personal life of my own. I have to sort of remember to fill out that little notebook on me.
Like driving along a bumpy road and losing control of the steering wheel, tossing you—just a tad—off the road. The wheels kick up some dirt, but you're able to pull it back. Yet no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much—too tiring—and you consider letting go. Allowing tragedy... or whatever... to happen.
Well, there's much more time to do a weekly show, and much more coverage - as it turns out, it was all preparation for the stuff I'm doing now - but it was interesting to see how much time was spent on how little airtime, compared to knocking out a show a day on the soaps.
There wasn't very much time between wrapping Revolutionary Road and starting The Reader. It was about five and a half months, which, for me, isn't that long. Some actors are very good at just going from one thing to another but I've always been a bit useless at that. The preparation time is important for me.
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