A Quote by Harry Crews

What the artist owes the world is his work; not a model for living. — © Harry Crews
What the artist owes the world is his work; not a model for living.
Don't be misled into believing that somehow the world owes you a living. The boy who believes that his parents, or the government, or any one else owes him his livelihood and that he can collect it without labor will wake up one day and find himself working for another boy who did not have that belief and, therefore, earned the right to have others work for him.
I believe in the dignity of labor, whether with head or hand; that the world owes no man a living but that it owes every man an opportunity to make a living.
Don't go around saying the world owes you a living. The world owes you nothing. It was here first.
What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
However patriarchal the world, at home the child knows that his mother is the source of all power. The hand that rocks the cradlerules his world. . . . The son never forgets that he owes his life to his mother, not just the creation of it but the maintenance of it, and that he owes her a debt he cannot conceivably repay, but which she may call in at any time.
Working as a model liberated me from ever having to hold a day job. I transitioned from doing that to working full-time as an artist. If you're 19 and living cheap, being an artist model can sustain you.
I am a very big fan of Brian Eno, of his work as an artist and making his music, and as a producer. In some ways, I have looked to his career as a model for my own.
Working a model liberated me from ever having to hold a day job. I transitioned from doing that to working full-time as an artist. If you're 19 and living cheap, being an artist model can sustain you. I dropped out of college at 21 and my illustration hadn't yet taken off. It is more than working in a store. It is a hard way to make a living but you earn more than in a similarly unskilled job.
The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It's the artist's responsibility to balance mystical communication and the labor of creation.
A true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art.
How should an artist begin to do his work as an artist? I would insist that he begin his work as an artist by setting out to make a work of art.
... the novel, as a living force, if not as a work of art, owes an incalculable debt to what we call, mistakenly, the new psychology, to Freud, in his earlier interpretations, and more truly, I think, to Jung.
It is only in his work that an artist can find reality and satisfaction, for the actual world is less intense than the world of his invention and consequently his life, without recourse to violent disorder, does not seem very substantial. The right condition for him is that in which his work in not only convenient but unavoidable.
There is too little idea of personal responsibility; too much of "the world owes me a living," forgetting that if the world does owe you a living, you must be your own collector.
Subtract from the great man all that he owes to opportunity, all that he owes to chance, and all that he gained by the wisdom of his friends and the folly of his enemies, and the giant will often be seen to be a pygmy.
It may be that them whose pleasure brings you into this world owes you a living, but it don't mean the world is responsible.
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